Posts Tagged ‘Icon’
Brilliant Darkness: On St. Dionysios the Areopagite’s Blue Halo
…Timothy, my friend, my advice to you as you look for a sight of the mysterious things, is to leave behind you everything perceived and understood, everything perceptible and understandable, all that is not and all that is, and, with your understanding laid aside, to strive upward as much as you can towards union…
Continue reading »Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony
Editorial note: Due to its little-known subject matter and the book’s current limited availability in some regions, the following is a summary, rather than a standard review, of Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony1 – Sister Gabriela’s monograph on the artistic journey and iconographic legacy of Elder Sophrony.…
Continue reading »The Icon of The Last Judgement
The icon of the Last Judgement is one of the most complex Christian images. As depicting the final things, it is a synthesis of the cosmic mystery. As an image of judgement, it is also the place where everything is resolved by Christ. From the very first moments in my burgeoning interest in iconology, I…
Continue reading »An American Shrine to Honor the Russian Royal Martyrs
It has been my particular honor to create a magnificent shrine and reliquary for the Russian Royal Martyrs. The shrine was commissioned by an American convert to Orthodoxy as a gift to the Hermitage of the Holy Cross, a Russian Orthodox monastery in West Virginia, USA. It was installed in time to commemorate the centenary…
Continue reading »The Making of a New Icon: “Christ Breaking the Bonds of Animal Suffering”
Sometimes I am commissioned to paint an icon of a saint for whom nothing yet exists, or at least no satisfactory icon. This is usually a pre-schism Western saint. But more rarely, the subject is a new theme, a new emphasis or combination. This was the case when Dr Christine Nellist approached me to create…
Continue reading »The Byzantine Sculpture of Michael Lucas
The following is an interview with sculptor Michael Lucas. Mr. Lucas is an accomplished artist who currently focuses on Byzantine-inspired carving in stone. Andrew Gould is working with Michael on an ongoing project to build a baptistery in South Carolina. A. Gould: You started iconographic carving late in your life. Tell us about your background as an artist.…
Continue reading »Local Colors of Conestoga: Woad Blue
This is post 1 of 1 in the series “Local Colors of Conestoga” Symeon van Donkelaar explores the meaning and methods of creating his own pigments from local material. I’ve wanted to write for a while about what I’ve learned about making local colors—especially from an iconographic perspective. With this year’s harvest of indigo blue…
Continue reading »Imagination, Expression, Icon…Pt. III: Concerning Expression
This is part 3 of a series: Part 1, Part 2. In general the artificial image, modeled after its prototype, brings the likeness of the prototype into matter and acquires a share in its form by means of the thought of the artists and the impress of his hands. This is true of the…
Continue reading »Imagination, Expression, Icon: Reclaiming the Internal Prototype
Editor’s Note: This article is a revised and expanded version of the talk with the same title given at the symposium, Living Tradition: Painting Sacred Icons in the 21st Century, organized by the Orthodox Arts Journal and which took place on May 23, 2015, at Holy Ascension Orthodox Church, Mt. Pleasant, SC. This post is…
Continue reading »An Innovative Carved Icon of Archangel Gabriel – A Collaborative Work
Occasionally Jonathan Pageau and I like to experiment with our work – to skirt the boundaries of historical precedent, to revive forgotten and archaic techniques, or to juxtapose ideas in new ways. This project, an elaborate mixed-media icon of Archangel Gabriel, is such an instance. It was not a commissioned project, but rather something we…
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