You are browsing the author archive for Fr. Silouan Justiniano
It could be said that Fr. Stamatis Skliris ranks as one of the most important, albeit idiosyncratic and challenging, contemporary iconographers residing in Greece today: idiosyncratic, because his style stands out in a category of its own, in its personal, expressive potency and unique, at times odd, pictorial synthesis; challenging, because he often breaks all […]
In this newly published book, Mary Lowell describes the eighty-six icons and murals painted by Ksenia Pokrovsky (1942-2013) for St Andrew’s Orthodox church in Lexington, Kentucky. The icons and this book about them comprise a graphic account of the history of salvation, a visual catechism. The icons depict not just the major feasts of the […]
The Holy Liturgy in the Orthodox Church can be said to be the aspiration towards, if not the actualization of, a “complete work of art” – a synthesis of all the arts – whether it be music, painting, mosaic, embroidery, poetry, architecture, sculpture, choreography, rhetoric, etc., at the service of theology and divine worship. […]
In preparation for our patronal feast, at the Monastery of St. Dionysios the Areopagite, we ran into the problem of our unfinished, blank iconostasis. What could be done for the occasion in order to make it more presentable? First, as is common, we thought of speedily acquiring temporary icon reproductions to fill in the empty […]
Truth is truth wherever it is found. In fact, it is all the more delicious when found in unexpected places. I was at the opening of an exhibition of The St John’s Bible, for which I had been one of the illuminators, and fell into conversation with one of the professors at Minnesota University. We […]
…Timothy, my friend, my advice to you as you look for a sight of the mysterious things, is to leave behind you everything perceived and understood, everything perceptible and understandable, all that is not and all that is, and, with your understanding laid aside, to strive upward as much as you can towards union […]
The following is an interview with Romanian master iconographer Ioan Popa. He’s one of the leading representatives of the contemporary icon revival in Romania, focusing in both panel and monumental fresco painting. Our conversation touches on his artistic development, aspects of the professional training of iconographers in Romania and the challenge of creative engagement with […]
There’s theory and then there’s practice. The one flows from the other and back again, unceasingly. Their interdependence is indissoluble. Likewise, there’s “inner” drawing and then there’s “external” drawing. The first unfolds and takes shape in the imagination; the latter is the former’s manifestation. A masterful drawing seems to be as if a concrete […]
This is the 4th and last post in the series “Imagination, Expression, Icon: Reclaiming the Internal Prototype”: Part 1, Part 2, Part 3. When you make an icon, do not copy it exactly… -Elder Sophrony[i] Now that we’ve clearly defined the terms nous, techne, Tradition, imagination and expression, we’re in a better […]
This is part 3 of a series: Part 1, Part 2. In general the artificial image, modeled after its prototype, brings the likeness of the prototype into matter and acquires a share in its form by means of the thought of the artists and the impress of his hands. This is true of the […]