As if Through a Child’s Inner Eye: The Contemporary Icons of Maxim Sheshukov

The distinctively fresh and masterful work of Maxim Sheshukov, a contemporary iconographer working in Sviyazhsk (Kazan region of Russia), is another example of the best synthesis of creative interpretation and conformity to Tradition which we can find nowadays. His work was mentioned in passing in a previous article on Contemporary Iconographers of Russia, but I thought it…

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The Pictorial Metaphysics of the Icon: Part III

This is post 3 of 3 in the series “The Pictorial Metaphysics of the Icon” Fr. Silouan Justiniano examines the controversial question of style in icons and whether or not composition and stylistic tropes are meaningful in the theology, making and use of the icon. The Pictorial Metaphysics of the Icon : Abstraction vs. Naturalism…

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Deisis – An Iconographic Installation

The truth is that when I was offered the possibility to set up a small exhibition on the occasion of the 34th Symposium of Art and Theology, organised by the School of Theology, University of Navarra, I did not have sufficient material, as I was moving and dismantling my workshop. On the other hand, as…

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Rashid and Inessa Azbuhanov: Revival and Modernity in Orthodox Carving

Rashid and Inessa Azbuhanov are recognized as forerunners in the rediscovery of the carved icon and we have featured their work here before. This time we present a feature interview with the Azbuhanov couple thanks to the kind collaboration of Paul Stetsenko who translated the whole interview from Russian into English for us. The Azbuhanovs carvings circulate in the…

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The Bronze Icons of Alex Aleksejevas

Aleksandras Aleksejevas is a Lithuanian Sculptor who now works our of the UK.  He has been member of the Royal British Society of Sculptors since 2004 and also a member of the International Art Foundation of Moscow since 2000. He works in several mediums, though his favorite is bronze, and it is in this medium that he has…

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Review of The Art of Seeing: Paradox and Perception in Orthodox Iconography by Fr. Maximos Constas

Fr. Maximos Constas, The Art of Seeing: Paradox and Perception in Orthodox Iconography. Alhambra, California: Sebastian Press, 2014. Pp. 263 + 73 color illustrations. Many readers of the Orthodox Arts Journal have some familiarity with the concept of symbol. Reader’s of Fr. Silouan Justiniano’s articles, for example, will know that contributors to the journal wrestle…

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