Posts by Fr. John Finley
Church Architecture in America: A Look at the Sanctuary from a Missionary Perspective
Editor’s Note: This essay is an interesting provocation for church architects and liturgical artists. Fr. John Finley challenges us to rethink some of the normative materials and imagery used in our churches to better conform to the vision of Heaven described in scripture. I think there is much to be said for this approach, controversial…
Continue reading »A New Icon – Saint Katherine Teaching the Philosophers of the Alexandrian Court
I would like to share an interesting project in which I collaborated with iconographer Natalia Aglitskaya to develop a new icon composition. The project was a commission from Trinity College in Hartford, Connecticut, to commemorate their fiftieth anniversary of coeducation, which occurred in 2019. The college wanted a memorial to the admission of women to…
Continue reading »A Professionally-Built Iconostasis for a Mission Church
The iconostasis featured here is the culmination of an idea I have been developing for several years. It is installed at Saint Matthew the Apostle Orthodox Church in Baton Rouge, Louisiana. I would like to tell the story of how it came to be, and discuss the problems it is meant to solve. The iconostasis…
Continue reading »An Interview with Benedict Sheehan on the Premiere Recording of his Liturgy of Saint John Chrysostom
This week Cappella Records released the world premiere recording of Benedict Sheehan’s Liturgy of Saint John Chrysostom. It’s an ambitious and truly incredible setting, full of sweeping melodies and rich deep harmonies. It calls to mind the great concert liturgies and masses by famous composers of the past, and can compare admirably with any of…
Continue reading »Painting the Iconographic Murals at Saint Gregory Palamas Monastery
I have been asked to paint the iconographic murals in the new chapel at St. Gregory Palamas Monastery in Perrysville, Ohio. This chapel, dedicated to St. Gregory Palamas, is yet another good example of contemporary Orthodox architecture. It unites the traditional appearance of Byzantine interiors with the familiar exterior detailing of rural vernacular architecture. It…
Continue reading »Acoustical Considerations in Orthodox Church Design
As a designer of Orthodox churches, I am frequently asked whether a proposed church building will have good acoustics. Acoustics is a complex matter that cannot always be catagorized as simply “good” or “bad”. In order to shed some light on this topic, I am going to discuss the various acoustical characteristics encountered in churches,…
Continue reading »Orthodox Church Design Featured in The Pennsylvania Gazette
My design work for Orthodox Churches has been featured in an article in The Pennsylvania Gazette, the magazine of University of Pennsylvania (my alma mater). It includes an interview discussing how I came to my vocation and my philosophy of traditional church design, followed by a lengthy excerpt from the book Charleston Fancy. I am…
Continue reading »Andrew Gould Featured in New Book and New Website
Andrew Gould, founder of the Orthodox Arts Journal, has been featured in a new work by popular architectural writer Witold Rybczynski. The author of over twenty bestselling books, Rybczynski’s latest work is called Charleston Fancy: Little Houses and Big Dreams in the Holy City. The book is a history of Charleston architecture, told through the…
Continue reading »Coming Full Circle: A Masterclass at the Holy Trinity-St. Sergius Lavra
On Wednesday, October 2, 2019, a very special choral masterclass was given in the lower room of the Great Bell Tower at the Holy Trinity-St. Sergius Lavra. This monastery is considered the spiritual center of all of Russia and of its Orthodox Church. Several different factors contributed to the particular significance of this masterclass. The…
Continue reading »A Beautiful Church for Holy Cross Monastery in West Virginia
With great pleasure, I have developed a design for a new church for the Hermitage of the Holy Cross in West Virginia. In many ways, this design is the culmination of 15 years of thought, research, and experimentation on my part, and encapsulates the best of my ideas for Orthodox church design. I would like…
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