The Idea of Canonicity in Orthodox Liturgical Art
First published in Composing and Chanting in the Orthodox Church: Proceedings of the Second International Conference on Orthodox Church Music, Joensuu: ISOCM/University of Joensuu, 2009, 337-342 © 2009 Ivan Moody All rights reserved. The Idea of Canonicity in Orthodox Liturgical Art Ivan Moody “Divine beauty is transmitted to all that exists, and it is…
Continue reading »Delicate Fluidity: The Icons of Anton and Ekatarina Daineko
Anton and Ekaterina Daineko are a married couple from Minsk, Belarus. Their work in panel icons and frescos stands out for its fluidity in drawing as well as its subtle use of color and highlight. As they are giving some master classes in Vermont this year, I thought it would be a good opportunity to…
Continue reading »Conference Celebrates Unity in Diversity of Orthodox Church Music
Minneapolis, Minn. – Participants from nearly every jurisdiction in North America attended the 2016 Pan-Orthodox Music Symposium held at the historic St. Mary’s Orthodox Cathedral here. “When we attend conferences and symposia, every once in a while you really feel like you are attending one that is truly special,” said Michael Lang, of Christ the…
Continue reading »Carving the Virgin Hodegetria
(Editor’s note: this article was written by Martin Earle, Aidan Hart’s studio assistant who worked to create a commission they received for a statue of the Hodogetria. Martin can be contacted at mart_earle@yahoo.co.uk. ) I always brace myself for a bit of anti-Catholic sentiment when meeting an Orthodox Christian for the first time. A convert myself, I…
Continue reading »On The Origin of Ὁ ὬΝ in The Halo of Christ
We are so used to seeing the features of Christ in icons that we no longer pay attention to them, thinking they have always been there, as we see them, taking them for granted. We have perhaps forgotten that behind each feature there is a history and a theological meaning to discover and rediscover. So…
Continue reading »Between Discipline and Joy: An Interview with Vladimir Gorbik
Interviewed by Natalia Gorenok Translated by Vladimir Morosan The art of Church singing as an integral part of the life of the Church, like the Church itself [in Russia], is experiencing a period of revival. Along the way, there are still many difficulties, because many of the traditional practices among choirmasters and church singers were…
Continue reading »Interview with Daniel Neculae
(Editor’s note: A few years ago we introduced our readers to the luscious work of Daniel Neculae, a Romanian iconographer now living in Luxembourg. Last year Daniel gave his first workshop in the US which was attended Marek Czarnecki, veteran American iconographer and teacher himself who agreed to conduct and edit this interview for us.)…
Continue reading »Contemporary Iconographers of Russia
From December 11, 2015 to January, 19, 2016 (Moscow, Russia) “Tsar’s Tower” exhibition hall, in Kazansky railway station, hosted a large-scale exhibition entitled “Contemporary Iconographers of Russia”. The exhibit featured sixty iconographers, masters of mosaic and gold embroidery, jewelers as well as architects from Moscow, Saint Petersburg, Ekaterinburg, Vladimir, Archangelsk and other Russian cities. The exhibit showcased an…
Continue reading »Sacred Space, Sacred Art and The Power of Women
We live in a confused time. Many of the basic foundations which hold the world together have been made fragile. Up/down, center/periphery, inside/outside have all been eroded in their power to frame existence as we watch floodwaters rise around us. One of the foundations systematically attacked through sophisticated rhetoric and political ideology is the complementary…
Continue reading »Today and Tomorrow: Principles in the Training of Future Iconographers pt.2
This is post 2 of 2 in the series “Today and Tomorrow: Principles in the Training of Future Iconographers” Aidan Hart looks at principles of style, composition and fabrication in icons, how these are meaningful in our consideration of iconography and how such considerations should be transmitted to the next generation of artists. Today and…
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