You are browsing the author archive for Vladimir Morosan
Blessed Art Thou among Women—a New Release by the PaTRAM Institute Singers, Peter Jermihov, Conductor Reviewed by Vladimir Morosan The liturgical tradition of the Orthodox Church is extremely rich with hymnography in honor of the Virgin Mary—the Most Holy Theotokos or Mother of God, as she is typically referred to. Virtually every complex of Orthodox […]
The appearance of Kurt Sander’s Divine Liturgy of St John Chrysostom, which was released simultaneously on April 26, 2019, in recorded form by Reference Recordings and in print form by Musica Russica, in many ways represents a unique and unprecedented event in the realm of Orthodox liturgical singing in North America. The work was created […]
In late 2016, as the tragic centenary of the Russian revolutions was approaching, conversations began among musicians in Russia and the U. S. regarding an appropriately solemn and musically significant way to pay homage to the memory of those who had been affected by these events—in particular, composers, choirmasters, and church singers—both those who suffered […]
(This interview with Russian conductor Vladimir Gorbik was first published in Pravoslavie i sovremennost, the official journal of the Diocese of Saratov, Russia) As previously reported in the Orthodox Arts Journal, a new symphony orchestra has been established in Moscow under the direction of Vladimir Gorbik—chief choirmaster of the Holy Trinity-St. Sergius Representation (Podvorye) in […]
Last year, readers of the Orthodox Arts Journal read about the significance of Passion Week by Maximilian Steinberg (1883–1946), a newly rediscovered choral masterpiece based almost entirely upon early Russian chant melodies. Completed in 1923 in St. Petersburg, just a few weeks before the communist authorities banned all composition and performance of sacred music, the […]
Interviewed by Natalia Gorenok Translated by Vladimir Morosan The art of Church singing as an integral part of the life of the Church, like the Church itself [in Russia], is experiencing a period of revival. Along the way, there are still many difficulties, because many of the traditional practices among choirmasters and church singers were […]
The recent release of the CD Till Morn Eternal Breaks marks a number of laudable firsts: First and foremost, it is the debut CD comprised almost entirely of the choral works of American Orthodox composer Benedict Sheehan (b.1980), a gifted musician who has something important to say in ways that are both traditional and innovative. Second, it […]
The Patriarch Tikhon Choir Releases Its New CD In 2012, Vladimir Gorbik, the eminent Choirmaster of the Moscow Representation Church of the Holy Trinity-St. Sergius Monastery, came to North America for the first time to teach a master class on the interpretation of Russian Orthodox sacred choral music at St. Vladimir’s Seminary. After the success […]
In recent months, discussions posted on various blogs and other social media have brought to light the ongoing quest of Orthodox church musicians in North America to define more clearly their vocation and sense of professional identity. A good deal of discussion has focused on the desirability and necessity of establishing an Orthodox choir school. […]
One of the rewards of working with a group of professional-level singers such as Archangel Voices (www.archangelvoices.com) is the opportunity to explore and record, often for the very first time, some newly composed or newly arranged Orthodox sacred choral repertoire. Even more rewarding is to hear on occasion that our efforts have met with approbation […]