Posts Tagged ‘Russia’
What is an Icon – A Response for Philip Davydov
Editor’s Note: This open letter was written in response to Philip Davydov’s call for master iconographers to address some fundamental questions about their art and its relationship to the Church. Dear Philip, thank you for the interesting article. It seems to me that the questions you have presented to us are not that difficult to…
Continue reading »Questions for Iconographers
Writing this text, I can’t help but feel that it opens up (or continues) a very extensive subject, which will require a lot of effort just to be introduced, and even more effort to be explained, but I will try… On February 12th, 2024 I was invited to the Andrey Rublev Museum in Moscow as…
Continue reading »Russia and the West: Artistic Unity in Christ—A Reflection on Kastalsky’s Requiem
In Babel long ago they wanted to build a tower that would reach heaven, and in Belfast in 1912 they wanted to build a ship that nothing could sink. When, in April of that year, the Titanic did sink, the aspirations and pride of the late Victorian era sank with it. I like to think…
Continue reading »‘Being’, The Art and Life of Father Sophrony
Archimandrite Sophrony, painting Christ at the Last Supper, early 1980s, the Monastery of St John the Baptist, Refectory.[1] Image: ©The Stavropegic Monastery of Saint John the Baptist, Essex. Editorial note: This is the second part of a series on the artistic path and iconographic legacy of Saint Sophrony (Sakharov) as seen through a collection…
Continue reading »Review of “TREASURE IN A BOX: A Guide to the Icons of St Andrew” by Mary Kathryn Lowell
In this newly published book, Mary Lowell describes the eighty-six icons and murals painted by Ksenia Pokrovsky (1942-2013) for St Andrew’s Orthodox church in Lexington, Kentucky. The icons and this book about them comprise a graphic account of the history of salvation, a visual catechism. The icons depict not just the major feasts of the…
Continue reading »Between Discipline and Joy: An Interview with Vladimir Gorbik
Interviewed by Natalia Gorenok Translated by Vladimir Morosan The art of Church singing as an integral part of the life of the Church, like the Church itself [in Russia], is experiencing a period of revival. Along the way, there are still many difficulties, because many of the traditional practices among choirmasters and church singers were…
Continue reading »Contemporary Iconographers of Russia
From December 11, 2015 to January, 19, 2016 (Moscow, Russia) “Tsar’s Tower” exhibition hall, in Kazansky railway station, hosted a large-scale exhibition entitled “Contemporary Iconographers of Russia”. The exhibit featured sixty iconographers, masters of mosaic and gold embroidery, jewelers as well as architects from Moscow, Saint Petersburg, Ekaterinburg, Vladimir, Archangelsk and other Russian cities. The exhibit showcased an…
Continue reading »PASCHAL PILGRIMAGE TO RUSSIA: FROM DIVEEVO TO VALAAM
Editor’s note: I had the great privilege of traveling to Russia in 2006 with Fr. Ilya Gotlinsky of Orthodox Tours. It was a superb experience, in every respect. Fr. Ilya leads tours regularly, but I would like to call attention to a special upcoming tour – a pilgrimage tour that will visit Russia’s most…
Continue reading »A Miracle of Liturgical Art: The Church of the Protection of the Mother of God at Yasenevo
This past fall I had the opportunity to visit a construction project that is nothing short of a miracle. I saw a group of mostly volunteers and amateurs, working with small donations, building a church to rival any monument in the history of Christendom. The project was recently completed, consecrated by His Holiness, Patriarch Kirill,…
Continue reading »The Question of Polychrome for Liturgical Woodcarving – Part 1
This is post 1 of 2 in the series “The Question of Polychrome for Liturgical Woodcarving” Andrew Gould looks at the role polychromy has played in historical liturgical arts and how it can be adapted to contemporary designs. The Question of Polychrome for Liturgical Woodcarving – Part 1 The Question of Polychrome – Part 2:…
Continue reading »