Designing Icons (pt.6): Faces in Icons
This is post 6 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Mercy on The Right. Rigor on The Left
This is post 1 of 3 in the series “The Right and Left Hand in Iconography” Jonathan Pageau examines the recurrence of left and right hand symbolism in traditional art and how they create a pattern of engagement in the world. Mercy on The Right. Rigor on The Left St-Peter on The Right. St-Paul on…
Continue reading »Byzantine Chapel in Myra Found Under Deep Mud
A recent NY Times article relates the finding of parts of the ancient city of Myra, the home of no one less than St-Nicholas himself. It seems the town was buried under mud during flooding several centuries ago. Archeologists are excavating the pristinely preserved chapel with its fresco and altar. The article has a few pictures. The…
Continue reading »Marble Revetments
Today I would like to call attention to marble revetments, meaning the decorative marble paneling that clads the lower walls of a Byzantine church. It is impossible to overstate the architectural importance of revetments. In the grander Byzantine churches, the marbles covered most of the interior surface, dominating the visual experience of the church far…
Continue reading »Theophany and What Sacred Art Does
You enter a silent museum. Standing at an appropriate distance, you gaze at a piece of art set against a clinically white wall. The art is lit as to leave no glare or shine and you as the viewer leave no shadow on it. Enough space is allotted all around the art so to be admired without…
Continue reading »An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical Arts – Part 7: Lamps
This is post 7 of 12 in the series “An Icon of the Kingdom of God” Andrew Gould gives a unifying vision of how all the liturgical arts complement each other to create a living icon of the Kingdom of God. An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical…
Continue reading »Celebrating 25 years of the Prosopon School of Iconology and Iconography
(Editorial Note: this article was submitted by Lynette Hull, an iconographer trained in the Prosopon School) The Prosopon school of Iconology and Iconography will celebrate its 25th anniversary by hosting a conference, entitled “Locating Prosopon,” at Princeton Theological Seminary, April 12 – 13, 2013. The Prosopon School, founded by Master Iconographer, Vladislav Andrejev, has taught…
Continue reading »The Ass and The Ox in The Nativity Icon
There is no ass or ox in the Biblical narratives of the birth of Christ. Yet, besides the Christ Child himself, the ass and the ox are the most ancient and stable elements in the iconography of the nativity. In fact the earliest example of a nativity known to us contains only the swaddled Christ in the manger flanked by the ox…
Continue reading »Benedict Sheehan Invited To Conduct in Moscow
(Editorial note: This article, regarding one of our contributors, Benedict Sheehan, was taken from the St-Tikhon Seminary website.) On December 27, 2012, St. Tikhon’s Seminary choir director, Benedict Sheehan, will travel to Moscow to work with the Male Choir of the Moscow Representation Church (Podvorye) of the Trinity–St. Sergius Lavra and its renowned choirmaster, Vladimir…
Continue reading »TED Talk on Iconography
Lynette Hull, an American iconographer part of the Prosopon School has recently given a twenty minute presentation on Iconography which is part of a TEDx event. TED is a hip technology, education and design non-profit organization that gives conferences and organizes events. It is seen as the leading place to get a glimpse of new burgeoning…
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