Iconography
The Falling Asleep of Ksenia Pokrovsky
News that Ksenia Mikhailovna Pokrovskaya had fallen asleep in the Lord on Sunday, July 7, 2013 was a profound shock. Though she had chronic hypertension, she had not been ill. She was tired, yes, for many years, but still actively sharing her wisdom and knowledge with clarity and generosity. For both her family and friends…
Continue reading »Texan Brewery, Russian Iconographer
On a recent trip to Texas, I encountered a beer which took me by surprise, not for the fact that it was a creative blend of hefeweissen yeast and Amarillo hops (though that was delightful) but because of its name and label. The beer is called “ICON” and featured a two-tone icon of St. Arnold,…
Continue reading »Understanding The Dog-Headed Icon of St-Christopher
This is post 1 of 2 in the series “The Dog Headed Icon of St-Christopher” Jonathan Pageau traces the pattern of meaning in Dog-headed representations of St-Christopher and how they relate to our experience of the world. Understanding The Dog-Headed Icon of St-Christopher The Dog-Headed Icon of St-Christopher (pt.2): Encountering Saint-Christopher This post is…
Continue reading »New Mosaic of Christ Pantocrator in Cardiff, Wales
Having studied mosaics all over the world for many years I was delighted to receive a commission last year to create a mosaic for a church in Wales. I completed the illustrated mosaic of Christ Pantocrator in March this year. It is sited on the exterior wall of St Martin’s Church of Wales in Roath,…
Continue reading »Andreas Ritzos and OAJ Nexus
When Andrew Gould launched the Orthodox Arts Journal (OAJ) in June of 2012, he had in mind the clearinghouse model it has become. It is a service that informs and engages readers in helping to create a culture that values quality Orthodox arts. It is hoped by this effort that a market will emerge…
Continue reading »Degraded Iconicity V: Subtle Docetism; Approach to Materials
This is post 5 of 6 in the series “Degraded Iconicity” Fr. Silouan Justiniano thinks through the effect of contemporary image culture and mechanical reproduction on iconography and our sense of the sacred. The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction Degraded Iconicity II: Uplifting Materiality and Symbol. Degraded Iconicity III:…
Continue reading »The Amber Icons of Alexander Krylov
Alexander Krylov is a Russian master of amber. For several years he worked with a few others to recreate the famous “amber room”, the gift of the Prussian king to Peter the Great in the 18th century. It was known as “the eight wonder of the world”, but was looted by the Nazis during the…
Continue reading »Learning Icon Carving with Hexaemeron
Icon carving is an art which has been experiencing a great renewal in Orthodoxy all across the world. In the last 15 years we have seen several amazing icon carvers appear, with Aidan Hart in England, the Azbuhanov couple in Russia. The art of miniature carving has also been finding a quality it had lost…
Continue reading »Archetype and Symbol III: On Noetic Vision, Continued…
Lets now look at the nous as an organ of perception. In speaking of the soul, according to its different faculties, we tend to create a fragmented notion of it as consisting of mutually exclusive layers, rather than as an interrelated whole. Therefore, we tend to forget that the nous permeates all of man. Even…
Continue reading »Degraded Iconicity IV: Symbolic and Priestly Craftsmanship
This is post 4 of 6 in the series “Degraded Iconicity” Fr. Silouan Justiniano thinks through the effect of contemporary image culture and mechanical reproduction on iconography and our sense of the sacred. The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction Degraded Iconicity II: Uplifting Materiality and Symbol. Degraded Iconicity III:…
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