Today and Tomorrow: Principles in the Training of Future Iconographers pt.1
This is post 1 of 2 in the series “Today and Tomorrow: Principles in the Training of Future Iconographers” Aidan Hart looks at principles of style, composition and fabrication in icons, how these are meaningful in our consideration of iconography and how such considerations should be transmitted to the next generation of artists. Today and…
Continue reading »A Matter of “Ethos”: An Interview with the Painter Markos Kampanis
We often forget that our contemporary art, although the offspring of the 20th century revolutionary avant-garde, has its own set of artistic dogmas, its form of “orthodoxy”, so to speak. Ironically, although the avant-garde might have shattered the stifling shackles of the Academy, it has now itself become another form of restrictive academy, forming an…
Continue reading »On the Gift of Art…Part V: The Threshold
This is post 5 of 5 in the series “On the Gift of Art… But, What Art” Fr. Silouan explores points of contact and departure between traditional visions of art and contemporary art as we know it today. On the Gift of Art… But, What Art? On the Gift of Art…Part II: The Traditional Doctrine…
Continue reading »The Icon Painting Tradition and Modern Art: Hermeneutical Considerations
To articulate what is past does not mean to recognize ‘how it really was’. It means to take control of a memory, as it flashes in a moment of danger. Walter Benjamin In 1557, the Corpus Historiae Byzantinae, a series initiated by the German monk and humanist Hieronymus Wolf[1], was published. Ever since, the region…
Continue reading »A New Icon of St. Mary of Egypt and St. Zosimas: Notes on Form & Symbolism
A New Icon of St. Mary of Egypt and St. Zosimas Notes on Form & Symbolism By Fr. Silouan Justiniano In thee, O Mother, was exactly preserved what was according to the divine image. For thou didst take the cross and follow Christ, and by thy life, didst teach us to ignore the flesh,…
Continue reading »Design for an Orthodox Church in Amish Country
I was recently asked to design a new chapel for Saint Gregory Palamas Orthodox Monastery in Perrysville, Ohio. It is an especially pleasing project for me because the site is located in the heart of the most idyllic Amish farm country – rolling hills, huge simple barns, elegant Victorian farmhouses, quiet roads with horse-drawn buggies.…
Continue reading »PASCHAL PILGRIMAGE TO RUSSIA: FROM DIVEEVO TO VALAAM
Editor’s note: I had the great privilege of traveling to Russia in 2006 with Fr. Ilya Gotlinsky of Orthodox Tours. It was a superb experience, in every respect. Fr. Ilya leads tours regularly, but I would like to call attention to a special upcoming tour – a pilgrimage tour that will visit Russia’s most…
Continue reading »Andrew Gould featured in Second Issue of Road to Emmaus Journal
In a previous post, I spoke of the great honor of being interviewed for the Road to Emmaus Journal. In June of 2015, I spent a week with editor Mother Nectaria (McLees), discussing the art and architecture of the Orthodox Church. This second issue continues our interview, and is titled Reflecting the Heavenly Jerusalem: Building…
Continue reading »The Robot, the Mutant and The Artist
[1]One of the weaknesses in our vision of the world is that we tend to look at what surrounds us from one side of an opposition. This is inevitable as humanity’s existence unfolds like a wheel, waxing and waning, pulled by opposite forces from extreme to extreme. These extremes feed each other, call each other…
Continue reading »Interview with Serbian Iconographer Todor Mitrovic: On the Dialogue Between the Sacred and Secular Arts
This article was revised and proofread by Jennifer Leslie. Todor Mitrovic was born in Belgrade, Serbia in 1972. He graduated from the Faculty of Fine Arts (FLU) University of Arts, Belgrade in 1997. He was awarded a Master of Arts Degree in 2006 and Doctor of Arts in 2015. The title of his PhD art…
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