Theory
Understanding the Icons of Holy Week
During Holy Week, the Orthodox faithful will see several icons in the center of the church being commemorated. Although we are used to interpret icons as stand alone objects, I have found that it is sometimes best to see the language of icons as an inter-connected web of elements which speak to each other across different icons types.
Continue reading »Brilliant Darkness: On St. Dionysios the Areopagite’s Blue Halo
…Timothy, my friend, my advice to you as you look for a sight of the mysterious things, is to leave behind you everything perceived and understood, everything perceptible and understandable, all that is not and all that is, and, with your understanding laid aside, to strive upward as much as you can towards union…
Continue reading »The Nature of Divine Beauty
A Tough Love Many are drawn to the beauty of icons. But clearly this beauty is of a different order than, say, that of a Greek statue, or of a Renaissance painting. Icons are liturgical objects, created for prayer, a means of communion with the Lord. So what are some of the characteristics of divine…
Continue reading »An Iconographer, a Contemporary Artist and a Movie Director Walk into a Bar
Last September, I was invited by Wycliffe College at the University of Toronto to speak on a public panel as a prelude to the annual massive art event called Nuit Blanche. Wycliffe college is a somewhat conservative Anglican school, and on this panel were three artists who identify as Christian and who were asked to…
Continue reading »Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony
Editorial note: Due to its little-known subject matter and the book’s current limited availability in some regions, the following is a summary, rather than a standard review, of Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony1 – Sister Gabriela’s monograph on the artistic journey and iconographic legacy of Elder Sophrony.…
Continue reading »The Nativity Icon as an Image of Reality
The Nativity icon, like most festal icons, does not merely depict an event that happened two thousand years ago, but rather by its form and the hierarchy of its elements, shows us the inner workings of how the Divine Logos is Him by whom all things were made. The icon also shows us how His…
Continue reading »The Icon of The Last Judgement
The icon of the Last Judgement is one of the most complex Christian images. As depicting the final things, it is a synthesis of the cosmic mystery. As an image of judgement, it is also the place where everything is resolved by Christ. From the very first moments in my burgeoning interest in iconology, I…
Continue reading »Sacred Art in Secular Terms
Last year I was invited to speak at the Northwest Catholic Family Education Conference. The event was going to be quite open to the public and was dealing with the notion of Truth, the truth seen in different walks of life. I was asked to speak about the truth in art and discuss my own…
Continue reading »The Mosaic Apse of Sant’Apollinaire in Classe, Ravenna
THE MOSAIC APSE OF SANT’APOLLINARE IN CLASSE, RAVENNA: A Miracle of Design Aidan Hart There is some iconography that can only be described as miraculous. Such is the sixth century apse mosaic at the basilica of Saint Apollinare in Classe, five miles from Ravenna, Italy. Such works seem to flash forth, and are never –…
Continue reading »Imagination, Expression, Icon…Pt. IV: Encountering the Internal Prototype
This is the 4th and last post in the series “Imagination, Expression, Icon: Reclaiming the Internal Prototype”: Part 1, Part 2, Part 3. When you make an icon, do not copy it exactly… -Elder Sophrony[i] Now that we’ve clearly defined the terms nous, techne, Tradition, imagination and expression, we’re in a better…
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