NY Times Review of the Patriarch Tikhon Choir

Editor’s note: The NY Times has published a very nice review of the St-Tikhon Choir’s concert led by Vladimir Gorbik. Here is an excerpt of the review. The Patriarch Tikhon Choir, a mixed-voice professional ensemble of 35 American, Canadian and Russian singers, was formed recently to focus on Orthodox Christian sacred music, a tradition it…

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Bell Ringing in Scripture and Liturgy, from BLAGOVEST BELLS

Dear Readers, We have had a request for articles on liturgical bell ringing, so I am pleased to offer this excellent piece prepared by Mark Galperin and John Burnett of BLAGOVEST BELLS: Dear Brothers and Sisters: Church bell ringing is an intrinsic and permanent part of the Orthodox liturgical and musical tradition. It is deeply rooted…

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Notes from the psalterion, updated and annotated — part V, in which bricks and mortar concerns are considered

This is post 5 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…

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The Patriarch Tikhon Choir – Their Sound Hath Gone Forth

For Immediate Release The Patriarch Tikhon Choir, a unique choral ensemble made up of professional singers from Russia and North America, under the direction of renowned Moscow conductor Vladimir Gorbik, will perform their premiere concert series of Orthodox sacred choral works entitled “Their Sound Hath Gone Forth,” Monday, September 16, 2013, at St. Malachy’s –…

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Vladimir Gorbik Teaches Third Successful Liturgical Music Master Class in the U. S.

Like other liturgical arts, the art of liturgical singing, whether solo chant or choral, is dependent to a great extent upon apprenticeship and following traditionally established models. The successful transmission and development of this subtle and ephemeral art depends on the availability of opportunities for aspiring liturgical musicians to encounter examples offered by skilled master…

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The Gorbik Master Class — An Auditor’s Reflection

The following article was written by my wife, Maria Sheehan. There was great anticipation in the choir from St. Tikhon’s as the day for Maestro Gorbik’s arrival approached. The seminarians were already carrying their normal course load, many caring for their families in addition to maintaining their duties as clergy or altar servers. Yet in…

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Master Class Concert Receives Rave Reviews

A few weeks ago, Benedict Sheehan posted about his trip to Moscow and the planned collaborations with Vladimir Gorbik, which included a Master Class of liturgical music culminating into a concert which took place on March 3rd.  Here is the article from the Saint-Tikhon website describing the event. source: http://stots.edu/news_130305_1.html Hundreds of faithful from PA,…

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Notes from the psalterion, updated and annotated — part IV, in which the question is asked, “Shouldn’t you be at rehearsal?”

This is post 4 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…

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St. Tikhon’s Seminary to Present “Hymns of Holy Russia in the New World”

A Master Class and Concert with Vladimir Gorbik — Feb. 28 to Mar. 3, 2013 As part of its 75th anniversary celebration, Saint Tikhon’s Seminary will host a rigorous three-day master class for the select student choirs of three of America’s premier Orthodox Christian seminaries — Saint Tikhon’s Seminary, Saint Vladimir’s Seminary, and Holy Trinity…

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