Posts Tagged ‘russian’
The 2014 Pan-Orthodox Liturgical Music Symposium: Reflections and Reviews
The 2014 Pan-Orthodox Liturgical Music Symposium took place July 12-15 at Northern Kentucky University. The following is a series of reflections upon the symposium written by some of the main organizers and participants. I highly recommend that anyone who did not attend the event should read this. It paints an inspiring picture of an American…
Continue reading »An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical Arts – Part 10: Ceremonial Implements
This is post 10 of 12 in the series “An Icon of the Kingdom of God” Andrew Gould gives a unifying vision of how all the liturgical arts complement each other to create a living icon of the Kingdom of God. An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical…
Continue reading »Completion of Dome Fresco in Santa Rosa, CA
A masterpiece of iconography has recently been completed at St. Seraphim of Sarov Orthodox Church in Santa Rosa, CA (OCA). The dome is the work of Fr. Patrick Doolan, a renowned iconographer trained by Leonid Ouspensky. He and his assistant, Fr. Moses, painted the dome in true fresco over the course of the past year.…
Continue reading »LIVING TRADITION: Icons for the Liturgical Year by Davydov & Shalamova
LOCATION The Dadian Gallery of the Henry Luce III Center for the Arts and Religion at Wesley Theological Seminary (4500 massachisets Avenue NW, Washington, D.C) TIMES June 17 – September 19, 2014 Reception and Artists’ Talks: Tuesday, July 15, 4:30 – 5:30 p.m. Tuesday, September 16, 12:00 – 1:30 pm PRESS RELEASE The Dadian Gallery…
Continue reading »Announcing the Orthodox Illustration Project
It is my particular pleasure to introduce the Orthodox Illustration Project – an initiative under the aegis of the Orthodox Arts Journal. In brief, the purpose of the project is to make available online a collection of graphic illustrations of the highest quality. The collection will focus on iconographic drawings and related graphic ornaments stylistically…
Continue reading »A Living Tradition of Icon Painting
Interview with iconographers Philip Davydov and Olga Shalamova by Irina Yazykova (2010) and Andrew Gould (2014) Philip Davydov and Olga Shalamova are based in Saint Petersburg and are well-known iconographers throughout Russia and abroad. They participate in round tables and conferences, teach iconography and monumental painting, and promote the revival of iconography. Irina Yazykova: What do you think is…
Continue reading »Concert—Deep Roots Are Not Reached by the Frost: The Enduring Russian Sacred Choral Tradition, 1830 to the Present
On May 31, at Holy Trinity Orthodox Church in Danbury, CT, the St. Tikhon of Zadonsk Chamber Choir will give a concert of Russian Orthodox liturgical music in the final installment of the church’s third annual “Music on the Mount” concert series. The St. Tikhon of Zadonsk Chamber Choir is an ensemble of Orthodox professional…
Continue reading »Review of Cappella Romana’s Passion Week Performance
(the Wall Street Journal also reviewed this performance:’Passion’ and Resurrection) During Capella Romana’s recent performance of Soviet composer Maximilian Steinberg’s lost work, something became evident to the singers and the audience: while Steinberg’s Passion week is a very complex and lovely piece of choral music, it is a profound confession of faith. Vladimir Morosan gave…
Continue reading »Some New Musical Repertoire in Honor of the Mother of God
One of the rewards of working with a group of professional-level singers such as Archangel Voices (www.archangelvoices.com) is the opportunity to explore and record, often for the very first time, some newly composed or newly arranged Orthodox sacred choral repertoire. Even more rewarding is to hear on occasion that our efforts have met with approbation…
Continue reading »Further Efforts Toward a Christian Culture
Editor’s Note: Though the following is not directly related to the traditional liturgical arts of the Orthodox Church, it is important to highlight the efforts of those who borrow from the art within the Church in order to influence and engage contemporary culture without. What Nicholas Kotar and his colleagues are doing is cultural missionary…
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