Posts Tagged ‘russian’
An Innovative Carved Icon of Archangel Gabriel – A Collaborative Work
Occasionally Jonathan Pageau and I like to experiment with our work – to skirt the boundaries of historical precedent, to revive forgotten and archaic techniques, or to juxtapose ideas in new ways. This project, an elaborate mixed-media icon of Archangel Gabriel, is such an instance. It was not a commissioned project, but rather something we…
Continue reading »A Grave Cross for Father Matthew Baker
When Jonathan Pageau and I were asked to make a grave cross for the late Fr. Matthew Baker, we were humbled by the task. Fr. Matthew was a beloved young priest, a prominent Orthodox thinker, and father of six children. His tragic death in an automobile accident on March 1st, 2015, on his way home…
Continue reading »Building a Simple and Beautiful Iconostasis for a Mission Church
I have long felt that the iconostasis is the single most important element in an Orthodox church – perhaps more important even than the building itself. But tragically, in America, we have few really well-designed iconostases. This is especially so in mission churches, where iconostases are usually built by amateurs using plywood or worse (more…
Continue reading »A New Icon Composition: Christ and the Rich Young Ruler
This spring, I received an email from an American client which left me both intrigued and slightly anxious. Would I like to paint a new icon depicting Christ’s interaction with the Rich Young Ruler described in each of the Synoptic Gospels? Yes, of course! Most icons are commissioned, discussed and then go onto my waiting…
Continue reading »The State of Church Singing in America: An Interview with Choirmaster Benedict Sheehan
Editor’s Note: This interview appeared originally on pravoslavie.ru, with questions posed by Jesse Dominick. Benedict Sheehan is a composer, conductor, arranger, writer about, and teacher of, music. He currently plies his trade at St. Tikhon’s Orthodox Theological Seminary and Monastery, where, since 2010, he has taught Orthodox liturgical music and directed the choirs. Benedict is also a regular…
Continue reading »Lighting in Orthodox Churches: Liturgical Principles and Practical Ideas
What are we aiming to achieve when we choose lighting for an Orthodox church? We need a certain amount of light to see, but lighting also creates an ambience, helps to create an inner state. So what ambience are we seeking to create in our churches? These and other questions face parishes and monasteries when…
Continue reading »The Question of Polychrome – Part 2: Painting a Byzantine Analogion
This is post 2 of 2 in the series “The Question of Polychrome for Liturgical Woodcarving” Andrew Gould looks at the role polychromy has played in historical liturgical arts and how it can be adapted to contemporary designs. The Question of Polychrome for Liturgical Woodcarving – Part 1 The Question of Polychrome – Part 2:…
Continue reading »‘Living Tradition’ Symposium in Charleston, SC – Videos Online
On May 23rd, iconographers Philip Davydov and Fr. Silouan Justiniano spoke at a symposium titled “Living Tradition: Painting Sacred Icons in the 21st Century”. The event was the first of its kind organized by the Orthodox Arts Journal. It was held at Holy Ascension Orthodox Church in Charleston, SC. The event focused on the question…
Continue reading »The Archbishop Dmitri Memorial Chapel – An Interview with Iconographer Vladimir Grygorenko
The Archbishop Dmitri Memorial Chapel is an ongoing project at St. Seraphim Cathedral in Dallas, Texas. It is especially interesting as it is a chapel designed to honor the earthly remains of the locally venerated archbishop. We are pleased to offer this interview with master iconographer Vladimir Grygorenko, who designed and painted the chapel. A.…
Continue reading »An Interview with Iconographer Federico José Xamist
Federico José Xamist is a remarkably talented young iconographer of whom we have recently become aware. His work exemplifies icon painting as a fresh and living tradition. We offer the following interview to introduce this exciting artist to our readers: Gould: Federico, you grew up in Chile. How did you come to live in Greece? J. Xamist: When I…
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