Posts Tagged ‘Icon’
The Cave in The Nativity Icon
Just as the Ass and the Ox, the cave portrayed in the nativity icon is not specifically mentioned in Scripture as being the birthplace of Christ. In fact, St-Luke’s account does not say exactly where Christ was born, only that The Holy Virgin lay him in a manger. So why a cave? Why not a little…
Continue reading »Notes From the Road: Review of “Heaven and Earth” Art of Byzantium at the National Gallery
The NYTimes review of “Heaven and Earth” at the National Gallery in Washington is piquant and enticing, but our readers deserve more detail: This is a generalist show. It is a good show for anyone new to Byzantium or if you already know of one of the show’s pieces and would like to see it…
Continue reading »Iconography In The Landscape
One of the points I have been hammering at since I began writing for OAJ, is how symbolism is not just an arbitrary set of codes and meanings but is rather the very place where logos encounters the world, a coming together of different levels of reality. (See for ex, my article on the Recovery…
Continue reading »6 Days of Icon Carving
Last month I had the opportunity to give my first icon carving training for Hexaemeron. Hexaemeron is a travelling liturgical arts school based on the work and method of Ksenia Pokrovsky of recent memory. It was an honor to join the Hexaemeron team and to have a chance of working with a very dedicated group of…
Continue reading »The Theology of the Icon as a Hermeneutic Tool in the Dialog between Science and Religion: Part Two
This is post 2 of 2 in the series “The Theology of the Icon as a Hermeneutic Tool in the Dialog between Science and Religion” fr. Steven Bigham Looks at scripture through the lens of iconography so to propose an “iconic” reading of the Bible. The Theology of the Icon as a Hermeneutic Tool in…
Continue reading »Further Thoughts on Machine-Manufacture of Liturgical Art
This is post 2 of 3 in the series “Hand and Machine” Jonathan Pageau and Andrew Gould exchange ideas in an attempt to understand the difficulties and opportunities of new technologies in the making of liturgical art. The discussion is also in reaction to fr. Silouan’s article on Degraded Iconicity. The Robot and The Master…
Continue reading »The Robot and The Master
This is post 1 of 3 in the series “Hand and Machine” Jonathan Pageau and Andrew Gould exchange ideas in an attempt to understand the difficulties and opportunities of new technologies in the making of liturgical art. The discussion is also in reaction to fr. Silouan’s article on Degraded Iconicity. The Robot and The Master…
Continue reading »Dome Fresco Underway in Santa Rosa, CA
It is a rare treat to see the work of Fr. Patrick Doolan in progress. A renowned iconographer trained by Leonid Ouspensky, Fr. Patrick is a master of true fresco. For a number of years, he and his assistant, Fr. Moses, have worked to fresco St. Seraphim of Sarov Orthodox Church in Santa Rosa, CA…
Continue reading »The Dog-Headed Icon of St-Christopher (pt.2): Encountering Saint-Christopher
This is post 2 of 2 in the series “The Dog Headed Icon of St-Christopher” Jonathan Pageau traces the pattern of meaning in Dog-headed representations of St-Christopher and how they relate to our experience of the world. Understanding The Dog-Headed Icon of St-Christopher The Dog-Headed Icon of St-Christopher (pt.2): Encountering Saint-Christopher In my last article…
Continue reading »Interview With Russian Enamelist Evgeny Baranov
(A few months ago I posted some magnificent enamel icons by Russian artist Evgeny Baranov. So impressed was I at his skill that I asked him if he would accept to do an interview for us. What came out of this interview is not only his personal story as an artist, which is fascinating, but also…
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