The Robot, the Mutant and The Artist

[1]One of the weaknesses in our vision of the world is that we tend to look at what surrounds us from one side of an opposition.  This is inevitable as humanity’s existence unfolds like a wheel, waxing and waning, pulled by opposite forces from extreme to extreme.   These extremes feed each other, call each other…

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The Pictorial Metaphysics of the Icon: Part III

This is post 3 of 3 in the series “The Pictorial Metaphysics of the Icon” Fr. Silouan Justiniano examines the controversial question of style in icons and whether or not composition and stylistic tropes are meaningful in the theology, making and use of the icon. The Pictorial Metaphysics of the Icon : Abstraction vs. Naturalism…

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The Pictorial Metaphysics of the Icon: Part II

This is post 2 of 3 in the series “The Pictorial Metaphysics of the Icon” Fr. Silouan Justiniano examines the controversial question of style in icons and whether or not composition and stylistic tropes are meaningful in the theology, making and use of the icon. The Pictorial Metaphysics of the Icon : Abstraction vs. Naturalism…

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Rashid and Inessa Azbuhanov: Revival and Modernity in Orthodox Carving

Rashid and Inessa Azbuhanov are recognized as forerunners in the rediscovery of the carved icon and we have featured their work here before. This time we present a feature interview with the Azbuhanov couple thanks to the kind collaboration of Paul Stetsenko who translated the whole interview from Russian into English for us. The Azbuhanovs carvings circulate in the…

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Review of The Art of Seeing: Paradox and Perception in Orthodox Iconography by Fr. Maximos Constas

Fr. Maximos Constas, The Art of Seeing: Paradox and Perception in Orthodox Iconography. Alhambra, California: Sebastian Press, 2014. Pp. 263 + 73 color illustrations. Many readers of the Orthodox Arts Journal have some familiarity with the concept of symbol. Reader’s of Fr. Silouan Justiniano’s articles, for example, will know that contributors to the journal wrestle…

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