Theory
The Epitaphios of Jesus Christ: The Role of an Artist’s Creativity in Christian Art
Foreword In 2021 I attended a conference on “The Art of Embroidery in the Orthodox Church,” at which a speaker presented a thesis that church art is unchangeable, because it is based on church doctrine and therefore the only choice an iconographer or embroiderer is given is to choose between styles. This idea hit a…
Continue reading »On Manners and Mannerisms: Thoughts on Style…Part II
Participation Vs. Mannerism As mentioned earlier, I take stylization as a neutral, unavoidable trait of painting at large and in fact of all made things. Any embodied articulation of meaning possesses a style. Style is a visual rhetoric of sorts. But not all rhetoric has the same power. The goal should be to “…move, in…
Continue reading »On Manners and Mannerisms: Thoughts on Style…Part I
Editorial note: The following letter/article, which will be posted in two parts, is a response to a friend’s question concerning the problem of style in icon painting, in particular as it relates to one of my icons of Ss. John the Theologian and Prochoros. **** The style is the man himself. – Compte de…
Continue reading »Sacred Arts East and West: A Conversation with Aidan Hart, Jonathan Pageau, and Andrew Gould
The Institute of Sacred Arts (ISA) at St Vladimir’s Orthodox Theological Seminary (SVOTS) will host a panel discussion with artists and scholars Aidan Hart, Jonathan Pageau, and Andrew Gould, on Monday, April 24, 2023, at 7:30 p.m. The event will be moderated by ISA founding director and SVOTS Professor of Systematic Theology Dr Peter Bouteneff and Associate Professor of…
Continue reading »Icon Painting as Participation: Interview with Cornelia Tsakiridou…Part II
In Tradition and Transformation…Gadamer’s “horizon” helped me think in terms of a “communion of icons” (koinonia eikonon) or to think of icons as living these interpenetrating lives across time. Think, for example, of all the variants of the King of Glory/Akra Tapeinosis since the type first appeared in the 12th century. Each one carries…
Continue reading »Icon Painting as Participation: Interview with Cornelia Tsakiridou…Pt. I
Editorial Note: It was in 2014 that I first came across the work of Cornelia A. Tsakiridou, a year after the publication of her major contribution to the current discourse on icon painting, Icons in Time, Persons in Eternity (Ashgate, 2013). It was quite an unexpected treasure to find at the time. Challenging indeed—breaking the…
Continue reading »Lecture: The Neptic Icon and Orthodox Tradition
I am delighted to announce that Professor Cornelia Tsakiridou, author of several exceptional books on the holy icon, will be giving a special lecture on the evening of Tuesday 14th March 2023 at the Hellenic Centre in London, UK. The lecture is organised by The Prince’s Foundation, School of Traditional Arts and generously made possible…
Continue reading »Review of “Festal Icons: History and Meaning” by Aidan Hart
In Aidan Hart’s new book, Festal Icons: History and Meaning, we find a major contribution to the current icon revival, one which will be hard to surpass for many years to come. It is an impressive volume, not only in its size and bulk — measuring 11 in. x 9 in., weighing 5.17 lbs.,…
Continue reading »Poetry as Theology: Reflections on Ephrem the Syrian and Richard Wilbur
Introduction Blessed is He who has appeared to our human race under so many metaphors![i] Asked to reflect on the relationship between poetry and theology, I always reach for the above lines of Ephrem the Syrian’s. In some respects, all my thoughts on this matter are circular, starting from and returning to the…
Continue reading »Every Human Being is a Creator: An Interview with Davor Džalto
Dr. Davor Džalto is professor of Religion, Art and Democracy at Saint Ignatios College in Sweden. His research focuses primarily on the exploration of human freedom and creativity, as metaphysical, political, as well as aesthetic concepts. All of these concerns come together in his book, The Human Work of Art: A Theological Appraisal of Creativity and…
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