Iconography
An Iconographer, a Contemporary Artist and a Movie Director Walk into a Bar
Last September, I was invited by Wycliffe College at the University of Toronto to speak on a public panel as a prelude to the annual massive art event called Nuit Blanche. Wycliffe college is a somewhat conservative Anglican school, and on this panel were three artists who identify as Christian and who were asked to…
Continue reading »Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony
Editorial note: Due to its little-known subject matter and the book’s current limited availability in some regions, the following is a summary, rather than a standard review, of Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony1 – Sister Gabriela’s monograph on the artistic journey and iconographic legacy of Elder Sophrony.…
Continue reading »A Surpassing Gentleness: An Interview with Iconographer Ann Margitich
It is my pleasure today to present the work of Matushka Ann Margitich, iconographer based in Santa Rosa, CA. Her work has a special place in my heart, my favorite among the many icon painters I am privileged to know. She paints the most kindly and gentle figures, with a delicate beauty of color and…
Continue reading »The Making of a New Icon: “Christ Breaking the Bonds of Animal Suffering”
Sometimes I am commissioned to paint an icon of a saint for whom nothing yet exists, or at least no satisfactory icon. This is usually a pre-schism Western saint. But more rarely, the subject is a new theme, a new emphasis or combination. This was the case when Dr Christine Nellist approached me to create…
Continue reading »Towards a Great Pictorial Synthesis: Interview with Ioan Popa
The following is an interview with Romanian master iconographer Ioan Popa. He’s one of the leading representatives of the contemporary icon revival in Romania, focusing in both panel and monumental fresco painting. Our conversation touches on his artistic development, aspects of the professional training of iconographers in Romania and the challenge of creative engagement with…
Continue reading »The Byzantine Sculpture of Michael Lucas
The following is an interview with sculptor Michael Lucas. Mr. Lucas is an accomplished artist who currently focuses on Byzantine-inspired carving in stone. Andrew Gould is working with Michael on an ongoing project to build a baptistery in South Carolina. A. Gould: You started iconographic carving late in your life. Tell us about your background as an artist.…
Continue reading »A Year of Exploring Ancient Carving Through Drawing
For several years already, I had known in my heart and in my hands that I needed to spend more time drawing. Because the art of icon carving had become a lesser vehicle for the traditions of iconography, it seemed pressing for me to spend more time exploring the best examples of relief art and…
Continue reading »The Mosaic Apse of Sant’Apollinaire in Classe, Ravenna
THE MOSAIC APSE OF SANT’APOLLINARE IN CLASSE, RAVENNA: A Miracle of Design Aidan Hart There is some iconography that can only be described as miraculous. Such is the sixth century apse mosaic at the basilica of Saint Apollinare in Classe, five miles from Ravenna, Italy. Such works seem to flash forth, and are never –…
Continue reading »The Drawings of Elena Murariu
There’s theory and then there’s practice. The one flows from the other and back again, unceasingly. Their interdependence is indissoluble. Likewise, there’s “inner” drawing and then there’s “external” drawing. The first unfolds and takes shape in the imagination; the latter is the former’s manifestation. A masterful drawing seems to be as if a concrete…
Continue reading »Local Colors of Conestoga: Woad Blue
This is post 1 of 1 in the series “Local Colors of Conestoga” Symeon van Donkelaar explores the meaning and methods of creating his own pigments from local material. I’ve wanted to write for a while about what I’ve learned about making local colors—especially from an iconographic perspective. With this year’s harvest of indigo blue…
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