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Orthodox Arts Journal — Articles and news for the promotion of traditional Orthodox Christian liturgical arts

— Articles and news for the promotion of traditional Orthodox Christian liturgical arts —

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Institute of Sacred Arts hosts academic round-table on “Tradition and Innovation in the Arts of the Orthodox Church”

By Fr. Silouan Justiniano on March 23, 2022
Institute of Sacred Arts hosts academic round-table on “Tradition and Innovation in the Arts of the Orthodox Church”

  The Institute of Sacred Arts (ISA) at St. Vladimir’s Orthodox Theological Seminary (SVS) is currently privileged to have Dr. George Kordis as its inaugural artist in residence for the Spring of this academic year. On Thursday, March 17, a group of distinguished scholars gathered around him at St. Vladimir’s Seminary for an academic round-table […]

Posted in News | Tagged academic, Architecture, discussion, George Kordis, iconography, innovation, Institute of Sacred Arts, marginal psalters, Music, round-table, scholars, St. Vladimir's, Tradition March 23, 2022

Every Human Being is a Creator: An Interview with Davor Džalto

By Fr. Silouan Justiniano on July 28, 2021
Every Human Being is a Creator: An Interview with Davor Džalto

Dr. Davor Džalto is professor of Religion, Art and Democracy at Saint Ignatios College in Sweden. His research focuses primarily on the exploration of human freedom and creativity, as metaphysical, political, as well as aesthetic concepts. All of these concerns come together in his book, The Human Work of Art: A Theological Appraisal of Creativity and […]

Posted in Theory | Tagged Conceptual Art, contemporary art, creativity, Expressionism, Fine Art, freedom, Icon, iconography, installation, liturgical art, modern, painting, persformance, sacred, Tradition August 2, 2021

Painting as Prayer, The Art of A. Sophrony Sakharov

By Christabel Helena Anderson on April 8, 2021
Painting as Prayer, The Art of A. Sophrony Sakharov

Editorial note: This is the third part of a series on the artistic path and iconographic legacy of Saint Sophrony the Athonite (1896-1993) as seen through a collection of monographs written by Sister Gabriela, a member of his monastic community in Essex, England.  The previous articles, Seeking Perfection in the World of Art can be […]

Posted in Iconography, Reviews, Theory | Tagged Architecture, art, athonite, Christ, church, Eastern Orthodox, essex, fresco, Icon, icon painting, iconographer, iconography, liturgical, liturgical art, liturgy, Monastery of St. John the Baptist, mount athos, Orthodox, Orthodox Church, Russian Orthodox, Sr Gabriela, St. Silouan the Athonite, St. Sophrony the Athonite, Tradition April 8, 2021

‘Being’, The Art and Life of Father Sophrony

By Christabel Helena Anderson on September 3, 2020
‘Being’, The Art and Life of Father Sophrony

Archimandrite Sophrony, painting Christ at the Last Supper, early 1980s, the Monastery of St John the Baptist, Refectory.[1]  Image: ©The Stavropegic Monastery of Saint John the Baptist, Essex.   Editorial note: This is the second part of a series on the artistic path and iconographic legacy of Saint Sophrony (Sakharov) as seen through a collection […]

Posted in Artist Features, Iconography, Liturgy, Minor Arts, Reviews, Theory, Writers | Tagged abyss, art, biography, book review, Elder Sophrony, England, English Iconography, essex, Father Sophrony, icon painting, iconographer, iconography, liturgical art, Monastery of St. John the Baptist, Paris, Russia, Russian Orthodox, Saint Silouan, St. Silouan the Athonite, St. Sophrony, St. Sophrony the Athonite, Theology, Tradition March 31, 2021

Canon: Time for a Paradigm Shift…Part IV

By Todor Mitrović on July 13, 2020
Canon: Time for a Paradigm Shift...Part IV

  How to Conceive a Paradigm Shift? In the end, of course, we cannot naïvely expect that this change of paradigm can be imposed by some “official directive.” As the “chair and apple” example shows, such change happens neither easily nor suddenly. The need for change can be voiced, or even generated by an individual, […]

Posted in Theory | Tagged art history, conceptual metaphors, diachronic, expressive power, icon painting, idea, internalize, invention, paradigm shift, studio, synchronic, Tradition, utilitarian, visual language July 13, 2020

Canon: Time for a Paradigm Shift…Part III

By Todor Mitrovic on July 6, 2020
Canon: Time for a Paradigm Shift...Part III

    On the Need for the New Paradigm   First, the suggested shift in paradigm is not just playing with words, nor is it merely for amusement or for increasing our vocabulary. Neither are we following some fashionable intellectual trend. From the conventional meaning of the term paradigm, I would emphasize its ‘active’ semantic aspects. These suppose […]

Posted in Theory | Tagged artistic language, canon, church art, cognitive linguistics, conceptual metaphor, Icon, icon painting, paradigm, rules, Tradition July 6, 2020

Canon: Time for a Paradigm Shift…Part II

By Todor Mitrovic on June 29, 2020
Canon: Time for a Paradigm Shift...Part II

    Are There Rules and Where to Find Them?   However, how can we discuss the concept of a list of icon-painting rules if there is the slightest possibility that it might be imaginary? First, let us recall that imaginary entities can define our behavior just as much as physically existing ones. Let us […]

Posted in Theory | Tagged canon, Canonicity, Icons, juridical, language, oral, painters' manuals, painting, rules, scholia, technical, Tradition, unwritten, unwritten painters' tradition, visual, visual language July 1, 2020

The Icon Painting of Fr. Stamatis Skliris: A Call for Authenticity

By Fr. Silouan Justiniano on April 21, 2020
The Icon Painting of Fr. Stamatis Skliris: A Call for Authenticity

It could be said that Fr. Stamatis Skliris ranks as one of the most important, albeit idiosyncratic and challenging, contemporary iconographers residing in Greece today: idiosyncratic, because his style stands out in a category of its own, in its personal, expressive potency and unique, at times odd, pictorial synthesis; challenging, because he often breaks all […]

Posted in Artist Features, Iconography | Tagged Authenticity, creativity, Expressionism, icon painting, Impressionism, modern art, Pointillism, Tradition, uniqueness, unrepeatability April 23, 2020

‘The Mustard Seed Garden Manual of Painting’: A Chinese painting manual offers inspiration to iconographers

By Aidan Hart on July 2, 2019
‘The Mustard Seed Garden Manual of Painting’: A Chinese painting manual offers inspiration to iconographers

Truth is truth wherever it is found. In fact, it is all the more delicious when found in unexpected places. I was at the opening of an exhibition of The St John’s Bible, for which I had been one of the illuminators, and fell into conversation with one of the professors at Minnesota University. We […]

Posted in Iconography, Theory | Tagged Chinese painting, detail, dexterity, discipline, freedom, icon painting, methods, practice, technique, Tradition July 1, 2019

Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony

By Christabel Helena Anderson on January 3, 2019
Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony

Editorial note: Due to its little-known subject matter and the book’s current limited availability in some regions, the following is a summary, rather than a standard review, of Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony1 – Sister Gabriela’s monograph on the artistic journey and iconographic legacy of Elder Sophrony. […]

Posted in Iconography, Reviews, Theory | Tagged Architecture, athonite, book review, Elder Sophrony, England, English Iconography, essex, Fr. Sophrony, Icon, iconography, liturgical art, monastery, mount athos, Orthodox Church, pencil drawings, russian, Russian Orthodox, St. Silouan, St. Silouan the Athonite, St. Sophrony the Athonite, Tolleshunt Knights, Tradition March 31, 2021
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