Posts Tagged ‘russian’
An Interview with Iconographer Vladimir Grygorenko – His Recent Work and Developing Style
A. Gould: How did you first set out to be an iconographer? What led to this decision, and what was your initial artistic training? V. Grygorenko: I began painting icons long before my conversion to Christianity, which happened back in 1991. For nine years I studied traditional oil painting in the art studio at Dnipropetrovsk…
Continue reading »A Constellation of Chandeliers – Some Recent Lighting Projects
I have written some articles in the past about large choros chandeliers that I have designed and installed. But today, I’d like to introduce a number of other lighting projects: individual or unusual fixtures, chandeliers in interesting places, and other pieces I’ve had the pleasure of making. I will start with a recent chandelier I…
Continue reading »Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony
Editorial note: Due to its little-known subject matter and the book’s current limited availability in some regions, the following is a summary, rather than a standard review, of Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony1 – Sister Gabriela’s monograph on the artistic journey and iconographic legacy of Elder Sophrony.…
Continue reading »Benedict Sheehan: Liturgy of St. John Chrysostom (2018)
Liturgical Music in America Liturgical music is closely bound up with the people that sing it. Language, history, culture, experience, education, social class, all of these things shape the sound-world of worship. The people that founded Orthodox parishes in America more than a century ago—for the most part, immigrants from Russia, Greece, Eastern Europe, and…
Continue reading »Church Architecture Doesn’t have to have the Same Objectives as Secular Architecture; An Interview with the Director of the Moscow Architectural Institute, Dimitry Shvidkovsky
Editor’s note: This article is reposted from orthochristian.com. It describes the current process by which church architects are trained in Russia, and the prevailing attitudes towards style, tradition, and innovation, in this field. A fascinating read for anyone interested in the contemporary rebirth of Russian church architecture. – A. Gould Since 2016, the leading Russian…
Continue reading »The Task Fears the Maestro; Reflections on a Choral Master Class with Vladimir Gorbik
There is a Russian adage which translates as “the task fears the master craftsman,”[*] meaning work goes well when one knows one’s business. In the case of the recent master class in choral singing and conducting, entitled The Performance and Interpretation of Russian Sacred Choral Music, one could easily change this adage to “the task…
Continue reading »Good Music Lifts Us Up Towards God
(This interview with Russian conductor Vladimir Gorbik was first published in Pravoslavie i sovremennost, the official journal of the Diocese of Saratov, Russia) As previously reported in the Orthodox Arts Journal, a new symphony orchestra has been established in Moscow under the direction of Vladimir Gorbik—chief choirmaster of the Holy Trinity-St. Sergius Representation (Podvorye) in…
Continue reading »Notes on Method
St. Mamas of Caesarea by Fr. Silouan Justiniano. Egg tempera on wood, 46 in. x 31 in. One has to know technique, but one also needs to know art. An icon should be like a ‘painting’, like a prayer written with beautiful letters…There are many craftsmen, but few real iconographers. Make an icon, a…
Continue reading »A Gospel Cover Crafted in the Tradition of a Medieval Treasure Binding
I have always been fascinated by liturgical book bindings from the Middle Ages. Their perfect union of leather, wood and metal, as a supple and tactile work of functional art, is singularly satisfying. In contrast, there is something lacking in most contemporary gospel covers, which are normally made by applying decoration overtop the cardboard covers…
Continue reading »An Innovative Carved Icon of Archangel Gabriel – A Collaborative Work
Occasionally Jonathan Pageau and I like to experiment with our work – to skirt the boundaries of historical precedent, to revive forgotten and archaic techniques, or to juxtapose ideas in new ways. This project, an elaborate mixed-media icon of Archangel Gabriel, is such an instance. It was not a commissioned project, but rather something we…
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