Georgian Wonder

I have already posted an article on Contemporary Georgian artists.  But it seems like every week I discover one more amazing Georgian artist doing things in repoussé, wood, stone, enamel or mosaic that very few are able to equal in quality and especially in vivacity.  Vivacity is really the world to use, an art that is confident and…

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Byzantium – Celebrating The Icon in Ottawa

The first Ottawa International Byzantine Arts Symposium wrapping up at the beginning of this month surrounded the work of master iconographer George Kordis with an exhibition, 2 concerts and an icon painting workshop.  I had no idea what to expect going in to this event. I had been contacted by the event organizer, Lesia Maruschak only…

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An Inlaid Gospel Cover

  The idea for this gospel cover began several years ago. I discussed with Jonathan Pageau the possibility of  using his stone carvings as inlaid icons in wooden liturgical pieces. He is able to carve the steatite stone slabs quite thin so that the weight is reasonable even for a book cover. I based the…

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Completion of Dome Fresco in Santa Rosa, CA

A masterpiece of iconography has recently been completed at St. Seraphim of Sarov Orthodox Church in Santa Rosa, CA (OCA). The dome is the work of Fr. Patrick Doolan, a renowned iconographer trained by Leonid Ouspensky. He and his assistant, Fr. Moses, painted the dome in true fresco over the course of the past year.…

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Announcing the Orthodox Illustration Project

It is my particular pleasure to introduce the Orthodox Illustration Project – an initiative under the aegis of the Orthodox Arts Journal. In brief, the purpose of the project is to make available online a collection of graphic illustrations of the highest quality. The collection will focus on iconographic drawings and related graphic ornaments stylistically…

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Aidan Hart’s New Book on Icons in the Modern World

In the spirit of Aidan Hart’s last series for OAJ (Holy Icons in Today’s World: Part 1, Part 2, Part 3),  his most recent book, “BEAUTY MATTER SPIRIT: Icons in the Modern World”,  focuses on the implications of the icon and its theology for our lives in the twenty-first century. 256 pages. Over 30 colour plates.…

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