Posts Tagged ‘iconography’
Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony
Editorial note: Due to its little-known subject matter and the book’s current limited availability in some regions, the following is a summary, rather than a standard review, of Seeking Perfection in the World of Art: The Artistic Path of Father Sophrony1 – Sister Gabriela’s monograph on the artistic journey and iconographic legacy of Elder Sophrony.…
Continue reading »The Nativity Icon as an Image of Reality
The Nativity icon, like most festal icons, does not merely depict an event that happened two thousand years ago, but rather by its form and the hierarchy of its elements, shows us the inner workings of how the Divine Logos is Him by whom all things were made. The icon also shows us how His…
Continue reading »The Icon of The Last Judgement
The icon of the Last Judgement is one of the most complex Christian images. As depicting the final things, it is a synthesis of the cosmic mystery. As an image of judgement, it is also the place where everything is resolved by Christ. From the very first moments in my burgeoning interest in iconology, I…
Continue reading »An American Shrine to Honor the Russian Royal Martyrs
It has been my particular honor to create a magnificent shrine and reliquary for the Russian Royal Martyrs. The shrine was commissioned by an American convert to Orthodoxy as a gift to the Hermitage of the Holy Cross, a Russian Orthodox monastery in West Virginia, USA. It was installed in time to commemorate the centenary…
Continue reading »The Making of a New Icon: “Christ Breaking the Bonds of Animal Suffering”
Sometimes I am commissioned to paint an icon of a saint for whom nothing yet exists, or at least no satisfactory icon. This is usually a pre-schism Western saint. But more rarely, the subject is a new theme, a new emphasis or combination. This was the case when Dr Christine Nellist approached me to create…
Continue reading »Towards a Great Pictorial Synthesis: Interview with Ioan Popa
The following is an interview with Romanian master iconographer Ioan Popa. He’s one of the leading representatives of the contemporary icon revival in Romania, focusing in both panel and monumental fresco painting. Our conversation touches on his artistic development, aspects of the professional training of iconographers in Romania and the challenge of creative engagement with…
Continue reading »Sacred Art in Secular Terms
Last year I was invited to speak at the Northwest Catholic Family Education Conference. The event was going to be quite open to the public and was dealing with the notion of Truth, the truth seen in different walks of life. I was asked to speak about the truth in art and discuss my own…
Continue reading »The Byzantine Sculpture of Michael Lucas
The following is an interview with sculptor Michael Lucas. Mr. Lucas is an accomplished artist who currently focuses on Byzantine-inspired carving in stone. Andrew Gould is working with Michael on an ongoing project to build a baptistery in South Carolina. A. Gould: You started iconographic carving late in your life. Tell us about your background as an artist.…
Continue reading »A Year of Exploring Ancient Carving Through Drawing
For several years already, I had known in my heart and in my hands that I needed to spend more time drawing. Because the art of icon carving had become a lesser vehicle for the traditions of iconography, it seemed pressing for me to spend more time exploring the best examples of relief art and…
Continue reading »Local Colors of Conestoga: Woad Blue
This is post 1 of 1 in the series “Local Colors of Conestoga” Symeon van Donkelaar explores the meaning and methods of creating his own pigments from local material. I’ve wanted to write for a while about what I’ve learned about making local colors—especially from an iconographic perspective. With this year’s harvest of indigo blue…
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