Posts Tagged ‘iconography’
Daniel Neculae: Between Panselinos and Rublev
Daniel Neculae is a Romanian iconographer living in Luxembourg. He has a BA in Byzantine iconography from Bucharest University. He is going to show some of his icons in London, at the Sacred Space Gallery from March 11 to April 04 and so it seemed like a good opportunity to feature his icons here. Upon looking…
Continue reading »Artist Profile: Fr. Silouan Justiniano, Iconographer
Editor’s Note– At the beginning of February, I received an email from an iconographer, Fr. Silouan Justiniano of the Brotherhood of the Holy Cross (ROCOR) in Long Island, New York. Fr. Silouan had an article he was interested in having the Orthodox Arts Journal publish. We will publish it, and Fr. Silouan will henceforth be…
Continue reading »Designing Icons (pt.7): Architectural and Natural Settings in Icons
This is post 7 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Contemporary Georgian Art
There is a facebook page called “Contemporary Christian Art” but most people would not notice because it is all in Georgian script. Although boasting hundreds of pictures of early art from all of Christendom, the most remarkable aspect to those of us who are not in Georgia is how it prominently features contemporary Georgian liturgical…
Continue reading »Can Statuary Act as Icon?
There is a long tradition of relief sculpture in the Orthodox Church’s liturgical art tradition, but very little in the way of three dimensional sculpture. Can sculpture in the round act like an icon, leading us through itself to its prototype? Although, for reasons discussed below, the Orthodox Church is unlikely to adopt sculpture in…
Continue reading »St-Peter on The Right. St-Paul on the Left.
This is post 2 of 3 in the series “The Right and Left Hand in Iconography” Jonathan Pageau examines the recurrence of left and right hand symbolism in traditional art and how they create a pattern of engagement in the world. Mercy on The Right. Rigor on The Left St-Peter on The Right. St-Paul on…
Continue reading »Designing Icons (pt.6): Faces in Icons
This is post 6 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Mercy on The Right. Rigor on The Left
This is post 1 of 3 in the series “The Right and Left Hand in Iconography” Jonathan Pageau examines the recurrence of left and right hand symbolism in traditional art and how they create a pattern of engagement in the world. Mercy on The Right. Rigor on The Left St-Peter on The Right. St-Paul on…
Continue reading »Marble Revetments
Today I would like to call attention to marble revetments, meaning the decorative marble paneling that clads the lower walls of a Byzantine church. It is impossible to overstate the architectural importance of revetments. In the grander Byzantine churches, the marbles covered most of the interior surface, dominating the visual experience of the church far…
Continue reading »Theophany and What Sacred Art Does
You enter a silent museum. Standing at an appropriate distance, you gaze at a piece of art set against a clinically white wall. The art is lit as to leave no glare or shine and you as the viewer leave no shadow on it. Enough space is allotted all around the art so to be admired without…
Continue reading »