Churches of North Macedonia – Monastery of Saint Naum

By Andrew Gould

  Continuing my photojournalism series highlighting Balkan churches, this post features an especially beloved monastery in North Macedonia – The Monastery of Saint Naum. Saint Naum was a disciple of Saints Cyril and Methodius, and participated in their mission to spread Christianity and literacy in Europe. After completing the Moravian mission, he settled in Bulgaria…

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Making Magnificent Hammer-Crafted Icons; an Interview with Evan Wilson

By Andrew Gould

Gould: You’ve only recently started making icons using chasing and repoussé, yet your first projects are nothing short of magnificent. Can you tell us something about your background, to put this work in context? Wilson: I am a married father of two young sons, living on the outskirts of Austin, Texas. We attend Transfiguration Greek…

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Znamenny Chant for the 21st Century   

By Vladimir Morosan

­ The subject of this article — the “Znamenny Chantlet Database Project” — is a continuation of a proposal[1] initially unveiled by the author at the 2014 Pan-Orthodox Symposium on Orthodox Composition, held at Northern Kentucky University, and in a paper[2] given in 2015 at the Conference of the International Society of Orthodox Church Musicians…

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An American Kouvouklion: A New Design for the Tomb of Christ

By Andrew Gould

Over the years, I have designed numerous furnishings for American Orthodox churches. Because America has a rich tradition of fine furniture making, I have always felt that liturgical woodwork is one of the areas in which America can offer something distinctive to Orthodox culture. When I was asked to design a kouvouklion (the liturgical “tomb”…

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Icon by Juliania Sokolova VS an icon painted by a student of a school she founded at Moscow Spiritual Academy

Humility

By Philip Davydov

If only we could speak to ourselves from the future! How many valuable insights and skills could we have shared with our past selves! On the other hand, how would we have learned these things if not through the mistakes we make today? Is there a way to learn without mistakes? We have books, videos,…

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An American Kouvouklion: A New Design for the Tomb of Christ

Over the years, I have designed numerous furnishings for American Orthodox churches. Because America has a rich tradition of fine furniture making, I have always felt that liturgical…

Continue reading »

Building for the Divine: The Art of Orthodox Architecture with Andrew Gould

In this long-format interview, Andrew Gould discusses numerous aspects of liturgical arts and architecture with Anglican organist Matthew Wilkinson. Our conversation touches upon church architecture, Eastern and Western…

Continue reading »

Humility

Icon by Juliania Sokolova VS an icon painted by a student of a school she founded at Moscow Spiritual Academy

If only we could speak to ourselves from the future! How many valuable insights and skills could we have shared with our past selves! On the other hand,…

Continue reading »

Making Magnificent Hammer-Crafted Icons; an Interview with Evan Wilson

Gould: You’ve only recently started making icons using chasing and repoussé, yet your first projects are nothing short of magnificent. Can you tell us something about your background,…

Continue reading »

American Aristocrats: Art, Patronage, and Beauty with Andrew Gould and Dr. Timothy Patitsas

This video features a discussion I had with Dr. Timothy Patitsas. We discuss liturgical arts, patronage, culture, and the experience of the artist. We delve deep into the…

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The Memory Keepers

Svaneti churchkey keeper Yaroslav with his grand son.

This text is not just an article – it’s also a call for a combined effort. We invite you to support our documentary film the on Svaneti frescoes…

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Churches of North Macedonia – Monastery of Saint Naum

  Continuing my photojournalism series highlighting Balkan churches, this post features an especially beloved monastery in North Macedonia – The Monastery of Saint Naum. Saint Naum was a…

Continue reading »

Teaching Iconography in the Twenty-First Century

Study Group final image, - result of 6.5 months of work and studies.

Sharing our teaching method, I invite fellow iconographers to share their views on teaching, as only by approaching this subject from several sides can we foster a new…

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What is an Icon – A Response for Philip Davydov

Editor’s Note: This open letter was written in response to Philip Davydov’s call for master iconographers to address some fundamental questions about their art and its relationship to…

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Questions for Iconographers

An Angel from Svaneti (georgia) and a warrior from Vatopaedi monastery (Mount Athos)

Writing this text, I can’t help but feel that it opens up (or continues) a very extensive subject, which will require a lot of effort just to be…

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The Memory Keepers

This text is not just an article – it’s also a call for a combined effort. We invite you to support our documentary film the on Svaneti frescoes and the dedicated people who maintain them. Help us to preserve Svaneti’s invaluable treasures of Orthodox Christianity for centuries to come. Georgian church art reflects exceptional artistry…

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Sacred Arts East and West: A Conversation with Aidan Hart, Jonathan Pageau, and Andrew Gould

The Institute of Sacred Arts (ISA) at St Vladimir’s Orthodox Theological Seminary (SVOTS) will host a panel discussion with artists and scholars Aidan Hart, Jonathan Pageau, and Andrew Gould, on Monday, April 24, 2023, at 7:30 p.m. The event will be moderated by ISA founding director and SVOTS Professor of Systematic Theology Dr Peter Bouteneff and Associate Professor of…

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Building for the Divine: The Art of Orthodox Architecture with Andrew Gould

In this long-format interview, Andrew Gould discusses numerous aspects of liturgical arts and architecture with Anglican organist Matthew Wilkinson. Our conversation touches upon church architecture, Eastern and Western rites, American cultural heritage from hymn-singing to fine woodworking, robotic production of ornamentation, historic styles from baroque to brutalist, liturgical music, acoustics, and much more.

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The purpose of this project is to make available online a collection of graphic illustrations of the highest quality. The collection will focus on iconographic drawings and related graphic ornaments stylistically suited to the illumination of printed Orthodox publications. The project will address the needs of Orthodox book designers, graphic artists, and many others, who desire excellent imagery for their publications.

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