Authority on The Right. Power on The Left.
This is post 3 of 3 in the series “The Right and Left Hand in Iconography” Jonathan Pageau examines the recurrence of left and right hand symbolism in traditional art and how they create a pattern of engagement in the world. Mercy on The Right. Rigor on The Left St-Peter on The Right. St-Paul on…
Continue reading »Daniel Neculae: Between Panselinos and Rublev
Daniel Neculae is a Romanian iconographer living in Luxembourg. He has a BA in Byzantine iconography from Bucharest University. He is going to show some of his icons in London, at the Sacred Space Gallery from March 11 to April 04 and so it seemed like a good opportunity to feature his icons here. Upon looking…
Continue reading »Artist Profile: Fr. Silouan Justiniano, Iconographer
Editor’s Note– At the beginning of February, I received an email from an iconographer, Fr. Silouan Justiniano of the Brotherhood of the Holy Cross (ROCOR) in Long Island, New York. Fr. Silouan had an article he was interested in having the Orthodox Arts Journal publish. We will publish it, and Fr. Silouan will henceforth be…
Continue reading »A New Performance of “Two Paths Diverged at the Wood”
For those who were inspired by Conquering Time’s creative mission (described in detail here and here ), you may be interested to know that there is a new performance of “Two Paths Diverged at the Wood”, a creative retelling of the life of the Good Thief, being presented on Sunday February 17 at the Maliotis…
Continue reading »Iconography in the Atlantic Rain Forest
We at Hexaemeron celebrated our tenth anniversary almost 5000 miles from home base. Returning from an iconography workshop we held in the Atlantic Rain Forest of Brazil, January 19 to 26, we had time to reflect on our past and future: it seems like only yesterday when we started in 2003 with 30 students. And…
Continue reading »Designing Icons (pt.7): Architectural and Natural Settings in Icons
This is post 7 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »St. Tikhon’s Seminary to Present “Hymns of Holy Russia in the New World”
A Master Class and Concert with Vladimir Gorbik — Feb. 28 to Mar. 3, 2013 As part of its 75th anniversary celebration, Saint Tikhon’s Seminary will host a rigorous three-day master class for the select student choirs of three of America’s premier Orthodox Christian seminaries — Saint Tikhon’s Seminary, Saint Vladimir’s Seminary, and Holy Trinity…
Continue reading »Contemporary Georgian Art
There is a facebook page called “Contemporary Christian Art” but most people would not notice because it is all in Georgian script. Although boasting hundreds of pictures of early art from all of Christendom, the most remarkable aspect to those of us who are not in Georgia is how it prominently features contemporary Georgian liturgical…
Continue reading »Russia—A Musical Pilgrimage
A Travelogue December 27, 2012 – January 9, 2013 Vladimir Gorbik Conductor, teacher, mentor, friend—Vladimir Gorbik is arguably the finest living conductor of Russian church music, and the reason for my journey to Moscow this past December and January. Over the course of about two weeks I was privileged to work closely with him and…
Continue reading »Carving a Reliquary
There are certain Medieval forms which have always been with me, seeming to affect an almost hypnotic attraction. The casket reliquary or “chasse” is one of these. Shaped like a tomb, but also suggesting a basilica church, these reliquaries most probably originate in early insular (Gaelic/Celtic/Pictish/Saxon) art. Most of us know this shape primarily from…
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