The New Romanian Masters: Innovative Iconography in the Matrix of Tradition
(Editor’s note. For some time now we’ve wanted to find a way to present the burgeoning iconography which is currently happening in Romania. And so after a bit of searching, this article introducing the new school of iconography was written especially for OAJ by Mother Atanasia (Văetişi) of the Stavropoleos Monastery in Bucharest in collaboration with my own parish priest Fr.…
Continue reading »A New Landmark: Steinberg’s “Passion Week”
Every so often a record comes along that changes the landscape of choral music. Robert Shaw’s 1989 recording of the Rachmaninoff All-Night Vigil comes to mind. It remains one of Shaw’s finest recordings, and, in my opinion, still the best overall recording of the piece to the date, minor flaws in interpretation and Slavonic diction…
Continue reading »Sacred Symbol, Sacred Art
In February of this year I was invited by King’s University College to give a talk in their Veritas Series on faith and culture. The theme of this year’s series was “Speaking about God” exploring the different ways we express and address the Divine. I developed my talk in the context of the many discussions…
Continue reading »The Printmaking Tradition on Mount Athos
Editor’s note: We would like to introduce our new contributor, Markos Kampanis. Markos is a prominent artist and iconographer in Greece. He has a particular expertise in Athonite murals and prints and will be sharing his knowledge in a series of articles. Artistic tradition on Mt Athos is usually associated with painted icons and murals.…
Continue reading »A Cloisonné Enamel Reliquary Icon of Saint Vincent of Zaragoza
Editor’s note: This article continues Aidan Hart’s recent article about a reliquary for Saint Vincent of Zaragoza and details Christabel Anderson’s process for making the cloisonnée icon. This article contains a background to the history and technique of cloisonné enamel and a description of the processes used in making the cloisonné enamel icon plaque of Saint Vincent…
Continue reading »Donald Sheehan, The Grace of Incorruption – Book Review
Editor’s Note: Donald Sheehan, whom I knew in the last years of his life, truly lived and breathed liturgical poetry. He awoke long before dawn and prayed the psalter for hours each day, developing a rare and profound linguistic and spiritual understanding of it. Ultimately, he wrote his own translation, The Psalms of David, which…
Continue reading »Reliquary of St-Vincent of Zaragoza
For many years I had wanted to design some liturgical work involving cloisonné, so I was delighted when Father Andrey Kordochkin of the Russian Orthodox Church of St Mary Magdalene approached me to make a reliquary for St Vincent of Zaragoza. In the cloisonné technique, thin wire is laid onto plate, usually of silver or…
Continue reading »Talks from 5th Annual Climacus Conference now Online
The 5th Annual Climacus Conference was held last weekend in Louisville, KY, organized around the theme of Beauty. I had the honor of giving two talks – one on Orthodox church architecture, and the other on liturgical art. All the talks are available as audio files on Ancient Faith Radio, and I highly recommend…
Continue reading »An Interview with Iconographer Federico José Xamist
Federico José Xamist is a remarkably talented young iconographer of whom we have recently become aware. His work exemplifies icon painting as a fresh and living tradition. We offer the following interview to introduce this exciting artist to our readers: Gould: Federico, you grew up in Chile. How did you come to live in Greece? J. Xamist: When I…
Continue reading »On History and Tradition: A Review of Cappella Romana’s “Good Friday in Jerusalem”
For makers of music, history, by its mere existence, presents challenges. A recent headline in the Onion ran, “Nation’s Historians Warn The Past Is Expanding At Alarming Rate.” While we can smile at the joke, there’s a way in which the specter of an “ever-enlarging past” does really keep musicians up at night. Every Western composer since Beethoven has…
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