Liturgical Furniture for an Historic Cathedral
I was asked, in 2015, to design a set of liturgical furniture for Annunciation Greek Orthodox Cathedral in Baltimore. When I looked at the building, I could see that this would be a complex project with several stylistic influences in play. The monumental structure was built by a Protestant congregation in 1888 in the ‘Richardsonian…
Continue reading »Imagination, Expression, Icon…Pt. III: Concerning Expression
This is part 3 of a series: Part 1, Part 2. In general the artificial image, modeled after its prototype, brings the likeness of the prototype into matter and acquires a share in its form by means of the thought of the artists and the impress of his hands. This is true of the…
Continue reading »The Principles of Orthodox Architecture Expressed in a Secular Building
If I may ask my readers’ indulgence, I would like to present one of my projects that is, emphatically, not Orthodox liturgical art. In full disclosure, it is a temple of another, quite secular, liturgy – the buying and selling of craft beer and fine wine. But, before you admonish me for writing about a…
Continue reading »Imagination, Expression, Icon… Pt. II: Concerning Nous, Techne & Tradition
This is part 2 of a series: Part 1 Because they are the works of God, who is Himself good, the senses and sensible objects are good; but they cannot in any way be compared with the intellect [nous] and with intelligible realities. -St. Thalassios, On Love, Self-control and Life in Accordance with the…
Continue reading »The Task Fears the Maestro; Reflections on a Choral Master Class with Vladimir Gorbik
There is a Russian adage which translates as “the task fears the master craftsman,”[*] meaning work goes well when one knows one’s business. In the case of the recent master class in choral singing and conducting, entitled The Performance and Interpretation of Russian Sacred Choral Music, one could easily change this adage to “the task…
Continue reading »Imagination, Expression, Icon: Reclaiming the Internal Prototype
Editor’s Note: This article is a revised and expanded version of the talk with the same title given at the symposium, Living Tradition: Painting Sacred Icons in the 21st Century, organized by the Orthodox Arts Journal and which took place on May 23, 2015, at Holy Ascension Orthodox Church, Mt. Pleasant, SC. This post is…
Continue reading »Pentecost For The Zombie Apocalypse
(This talk on the meaning of the Zombie and on the place of monsters in the world was given at the OCA Diocese of the South Annual conference in Chattanooga, on July 27, 2017) We live in a time of monsters. I announce this to you but I think you already know that. We only need…
Continue reading »The Typika Psalms and Beatitudes: A Liturgical Opportunity
Editor’s note: This article addresses the Typika Psalms and Beatitudes in the Divine Liturgy, and describes the differences in usage among contemporary North American Orthodox jurisdictions. In particular, the author considers opportunities in which choirs in the Greek and Antiochian Archdioceses might expand their use of these liturgical texts. It is frequently observed that the Psalter is the chief source…
Continue reading »From Cubism To The Romanesque (To The Orthodox Icon?)
In a comment on my article ‘The Seventh Ecumenical Council, the Council of Frankfurt & the Practice of Painting’, Baker Galloway asks if ‘to develop towards a contemporary indigenous iconography in western cultures’ we need to revisit ‘these medieval (I use the term loosely) periods in our western history, or do we start from where…
Continue reading »A New Musical Setting of the Divine Liturgy
Editor’s note: On Tuesday, September 12, 2017 at 9:30 am the PaTRAM Institute singers Choir, conducted by Maestro Peter Jermihov, will sing an original all-English Liturgy based on the Russian style, commissioned by the PaTRAM Institute and composed by Dr. Kurt Sander, at St. Alexander Nevsky Diocesan Cathedral in Howell, NJ. We have asked Dr.…
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