Posts by Andrew Gould
The Ancient Churches of Spain
I would like to call attention to some of the ancient churches of Western Europe which predate the Great Schism. These churches offer a glimpse of Western Orthodoxy as it once was, and as such, offer us some suggestions for Orthodoxy in the West as it could be today. European churches of the 7th to…
Continue reading »An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical Arts – Part 8: Vestments
This is post 8 of 12 in the series “An Icon of the Kingdom of God” Andrew Gould gives a unifying vision of how all the liturgical arts complement each other to create a living icon of the Kingdom of God. An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical…
Continue reading »A Byzantine-Style Diskos and Asterisk
It is well known that the early Byzantine church used very large patens and loaves of bread in the Divine Liturgy. Surviving examples of patens from the 6th-century are frequently two feet or more in diameter, compared to the six inch diskos typical today. Interestingly, the Melkite church still uses larger patens, and I recently…
Continue reading »The Unusual Glass-Bead Icons of Angelika Artemenko
I have just learned of a most unusual iconographer from Ukraine whose medium is primarily glass beads. Her name is Angelika Artemenko, 26 years old. Despite her unconventional technique, she works with great care and piety, emphasizing the blessing of her bishop in all she does. Ms. Artemenko begins by painting the hands and faces on canvas.…
Continue reading »Marble Revetments
Today I would like to call attention to marble revetments, meaning the decorative marble paneling that clads the lower walls of a Byzantine church. It is impossible to overstate the architectural importance of revetments. In the grander Byzantine churches, the marbles covered most of the interior surface, dominating the visual experience of the church far…
Continue reading »An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical Arts – Part 7: Lamps
This is post 7 of 12 in the series “An Icon of the Kingdom of God” Andrew Gould gives a unifying vision of how all the liturgical arts complement each other to create a living icon of the Kingdom of God. An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical…
Continue reading »An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical Arts – Part 6: Furniture
This is post 6 of 12 in the series “An Icon of the Kingdom of God” Andrew Gould gives a unifying vision of how all the liturgical arts complement each other to create a living icon of the Kingdom of God. An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical…
Continue reading »Parekklesion of the Pammakaristos Church, Istanbul
The Church of the Pammakaristos (“All Blest Mother of God”) is a complex of medieval Byzantine structures at the north-west tip of the walled city. It was the seat of the Ecumenical Patriarchate from 1456 to 1587. Today, the 11th-century main church serves as a mosque, but the 14th-century parrakklesion (side chapel) has been restored to its…
Continue reading »An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical Arts – Part 5: The Minor Arts
This is post 5 of 12 in the series “An Icon of the Kingdom of God” Andrew Gould gives a unifying vision of how all the liturgical arts complement each other to create a living icon of the Kingdom of God. An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical…
Continue reading »Church of St. John, Istanbul
I will be periodically posting short photo-essays illustrating historical Orthodox art and architecture that may be of interest to our readers. I have decided to start with some photos of the least-known Byzantine church in Istanbul, the tiny church of St. John the Baptist, now the Hirami Ahmet Pasha Mosque. It is the smallest Byzantine church…
Continue reading »