Theory
The Sacred Arts Initiative “Rethinking Sacred Arts”
The Sacred Arts Initiative “Rethinking Sacred Arts” A Review Although the task of OAJ has mainly been to work towards the promotion of the revival of traditional Orthodox liturgical arts, along the way we have not hesitated to engage the sphere of secular art. This has not only been relegated to a critique of its…
Continue reading »Judge and Victim : The Two Images of Christ
There are two basic images of Christ in the Church, each marking one of the two poles which hold the very limits of the cosmos. The first image is that of the Pantocrator and its derivatives, essentially Christ shown in the guise of a glorious emperor, both the origin and the final judge of the…
Continue reading »The Altar and The Portico (pt.2): Gallery Art
This is post 2 of 2 in the series “The Altar and The Portico” Aidan Hart explores the relationships and differences between sacred art and secular gallery art. The Altar and The Portico (pt.1) The Altar and The Portico (pt.2): Gallery Art THE SACRED AND THE SECULAR The Relationship of Orthodox Iconography and Gallery Art…
Continue reading »The Altar and The Portico (pt.1)
This is post 1 of 2 in the series “The Altar and The Portico” Aidan Hart explores the relationships and differences between sacred art and secular gallery art. The Altar and The Portico (pt.1) The Altar and The Portico (pt.2): Gallery Art THE ALTAR AND THE PORTICO (PT.1) The Relationship of Orthodox Iconography and Gallery…
Continue reading »The Dragons that Almost Exist
Explaining the icon of St-George slaying the dragon to a 4 year old is amazing. Explaining the icon of St-George to a 10 year old is excruciating — “Yeah, but dragons don’t exist, do they?”. Do they? When someone tells you that dragons don’t exist or that monsters don’t exist, what is it they are…
Continue reading »Contemporary Byzantine Painting: An Interview With Fikos
Contemporary Byzantine Painting: Street Art and the Icon in Convergence An Interview with Fikos By Fr. Silouan Justiniano Graffiti is one of those art forms that seems to have no relationship whatsoever with the liturgical art of the icon. Unlike the icon’s inextricable reliance on Tradition, graffiti appears to embody an anti-traditional and revolutionary…
Continue reading »The Idea of Canonicity in Orthodox Liturgical Art
First published in Composing and Chanting in the Orthodox Church: Proceedings of the Second International Conference on Orthodox Church Music, Joensuu: ISOCM/University of Joensuu, 2009, 337-342 © 2009 Ivan Moody All rights reserved. The Idea of Canonicity in Orthodox Liturgical Art Ivan Moody “Divine beauty is transmitted to all that exists, and it is…
Continue reading »On The Origin of Ὁ ὬΝ in The Halo of Christ
We are so used to seeing the features of Christ in icons that we no longer pay attention to them, thinking they have always been there, as we see them, taking them for granted. We have perhaps forgotten that behind each feature there is a history and a theological meaning to discover and rediscover. So…
Continue reading »Sacred Space, Sacred Art and The Power of Women
We live in a confused time. Many of the basic foundations which hold the world together have been made fragile. Up/down, center/periphery, inside/outside have all been eroded in their power to frame existence as we watch floodwaters rise around us. One of the foundations systematically attacked through sophisticated rhetoric and political ideology is the complementary…
Continue reading »Today and Tomorrow: Principles in the Training of Future Iconographers pt.2
This is post 2 of 2 in the series “Today and Tomorrow: Principles in the Training of Future Iconographers” Aidan Hart looks at principles of style, composition and fabrication in icons, how these are meaningful in our consideration of iconography and how such considerations should be transmitted to the next generation of artists. Today and…
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