The Mosaic Apse of Sant’Apollinaire in Classe, Ravenna

THE MOSAIC APSE OF SANT’APOLLINARE IN CLASSE, RAVENNA:  A Miracle of Design Aidan Hart There is some iconography that can only be described as miraculous. Such is the sixth century apse mosaic at the basilica of Saint Apollinare in Classe, five miles from Ravenna, Italy. Such works seem to flash forth, and are never –…

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Pentecost For The Zombie Apocalypse

(This talk on the meaning of the Zombie and on the place of monsters in the world was given at the OCA Diocese of the South Annual conference in Chattanooga, on July 27, 2017) We live in a time of monsters. I announce this to you but I think you already know that. We only need…

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From Cubism To The Romanesque (To The Orthodox Icon?)

In a comment on my article ‘The Seventh Ecumenical Council, the Council of Frankfurt & the Practice of Painting’, Baker Galloway asks if ‘to develop towards a contemporary indigenous iconography in western cultures’ we need to revisit ‘these medieval (I use the term loosely) periods in our western history, or do we start from where…

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The Seventh Ecumenical Council, the Council of Frankfurt & the Practice of Painting

Editorial Preface: This article was written by Dr. Peter Brooke, an Orthodox Christian painter and writer living in Brecon, Wales. He is the author of “Albert Gleizes: For and Against the Twentieth Century,” a major biography of one of the most important pioneers of Cubism. Dr. Brooke studied painting in France with the distinguished potter…

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Conserve or Restore? A Question of Ancestor Kisses

Conserve: To protect from loss or harm; to keep quantity and quality constant through physical or chemical reactions or evolutionary changes. Restore: To bring back into existence or use; to return to an original condition. Close in definition, the differences when applied to art treasures can be catastrophic. Consider the botched effort to “restore” Elías…

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