Iconography
Holy Icons in Today’s World (Pt.2): Icons and Modern Art
The transfiguration icon and modern art Christ takes with him His disciples Peter, James and John up a mountain, traditionally taken to be Mount Tabor. The Gospels then tell us that Christ’s face and garments shine with light, brighter than the sun. Moses and Elijah also appear before the disciples, talking with Jesus about His…
Continue reading »Update on the Dome Frescoes at Santa Rosa, CA
Iconographer Fr. Patrick Doolan and his assistant, Father Moses, continue their extraordinary fresco work at St. Seraphim of Sarov Orthodox Church in Santa Rosa, CA (OCA). They have recently completed the angel range of the dome. (The first phase – the Pantocrator – was described in this article from last fall.) These photos show their work over…
Continue reading »Holy Icons in Today’s World (Pt.1): Insight into Contemporary Issues
Editor’s note: This is the first part of a talk given by Aidan in Texas last December (1). Images are taken directly from his presentation. We are made to be gods by grace, sons and daughters of the Living God. If we only saw what majesty and dignity is bestowed upon each of us here…
Continue reading »Adapting a Painted Icon to Carving
One of the exciting aspects of the renewal in icon carving we have seen in the last few decades is how this renewal is in a constant dialogue with painted icons. One of the visible goals, one of my own goals, is a search to infuse into the carved image some of the visual aspects…
Continue reading »Gilding Course to be Taught by Christabel Anderson
Iconographer, manuscript illuminator, and OAJ contributor Christabel Anderson will be teaching a fully booked eight-week course on the ancient art of gilding at the Prince’s School for the Traditional Arts in London beginning February 6. As a follow-up to this course, and the others she’s taught previously, Anderson will be conducting a five-day course at the…
Continue reading »Santa Maria Antiqua – The Heart of the East in the Centre of Rome
(Editor’s note: This article was submitted by Fr Paul Walliker, an Antiochian Orthodox Priest who has a Master of Visual Art (Painting) from Monash University, Australia. The focus of his project for his Masters Degree was Santa Maria Antiqua. He also recently attended the conference held at the British School of Rome on Santa Maria Antiqua) …
Continue reading »From Logos to Graph: Lost In Translation
This is post 3 of 3 in the series “To Write or to Paint an Icon” Several contributors go over the common debate on whether one “writes” or “paints” an icon. Is “Write” Wrong?: A Discussion of Iconology Lingo A Symptom of Modern Blindness – Further Thoughts on the Phrase “To Write an Icon” From…
Continue reading »A Symptom of Modern Blindness – Further Thoughts on the Phrase “To Write an Icon”
This is post 2 of 3 in the series “To Write or to Paint an Icon” Several contributors go over the common debate on whether one “writes” or “paints” an icon. Is “Write” Wrong?: A Discussion of Iconology Lingo A Symptom of Modern Blindness – Further Thoughts on the Phrase “To Write an Icon” From…
Continue reading »Is “Write” Wrong?: A Discussion of Iconology Lingo
This is post 1 of 3 in the series “To Write or to Paint an Icon” Several contributors go over the common debate on whether one “writes” or “paints” an icon. Is “Write” Wrong?: A Discussion of Iconology Lingo A Symptom of Modern Blindness – Further Thoughts on the Phrase “To Write an Icon” From…
Continue reading »The Cave in The Nativity Icon
Just as the Ass and the Ox, the cave portrayed in the nativity icon is not specifically mentioned in Scripture as being the birthplace of Christ. In fact, St-Luke’s account does not say exactly where Christ was born, only that The Holy Virgin lay him in a manger. So why a cave? Why not a little…
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