Announcing the Orthodox Illustration Project

By Andrew Gould | June 10, 2014 |

It is my particular pleasure to introduce the Orthodox Illustration Project – an initiative under the aegis of the Orthodox Arts Journal. In brief, the purpose of the project is to make available online a collection of graphic illustrations of the highest quality. The collection will focus on iconographic drawings and related graphic ornaments stylistically…

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Orthodox Banners for the March for Life

By Andrew Gould | February 10, 2014 |

New World Byzantine Studios donated new banners for the Orthodox delegation to the annual March for Life, which took place on January 22nd in Washington D.C. The project began when members of Saint Vladimir’s Seminary expressed a desire for attractive new banners that would project the character and dignity of Orthodoxy. Andrew Gould designed and made them…

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Bell Ringing in Scripture and Liturgy, from BLAGOVEST BELLS

By Andrew Gould | September 3, 2013

Dear Readers, We have had a request for articles on liturgical bell ringing, so I am pleased to offer this excellent piece prepared by Mark Galperin and John Burnett of BLAGOVEST BELLS: Dear Brothers and Sisters: Church bell ringing is an intrinsic and permanent part of the Orthodox liturgical and musical tradition. It is deeply rooted…

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A Byzantine-Style Diskos and Asterisk

By Andrew Gould | March 7, 2013 |

It is well known that the early Byzantine church used very large patens and loaves of bread in the Divine Liturgy. Surviving examples of patens from the 6th-century are frequently two feet or more in diameter, compared to the six inch diskos typical today. Interestingly, the Melkite church still uses larger patens, and I recently…

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Contemporary Georgian Art

By Jonathan Pageau | February 5, 2013 |

There is a facebook page called “Contemporary Christian Art” but most people would not notice because it is all in Georgian script.  Although boasting hundreds of pictures of early art from all of Christendom, the most remarkable aspect to those of us who are not in Georgia is how it prominently features contemporary Georgian liturgical…

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