The Transfiguration in Shadow.

Last year I was asked by a patron to carve a large icon of the Transfiguration.  She said: “I am curious to see how you will do that.”  I understood immediately what she meant, and her comment for me went to the core of what icon carving attempts to grapple with.  So much of Orthodox theology, especially since St-Gregory of Palamas…

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Introducing BART: Byzantine Arts Today

Last year I wrote a few articles on a new initiative in Canada called BYZANTIUM: Ottawa International Byzantine Arts Symposium an initiative under the direction of Lesia Maruschak.  One of the highlights of Byzantium was the opening exhibition featuring the icons of  George Kordis, several Romanian iconographers and two Canadian artists: myself and Maruschak.  BYZANTIUM’s highlight…

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The Archbishop Dmitri Memorial Chapel – An Interview with Iconographer Vladimir Grygorenko

The Archbishop Dmitri Memorial Chapel is an ongoing project at St. Seraphim Cathedral in Dallas, Texas. It is especially interesting as it is a chapel designed to honor the earthly remains of the locally venerated archbishop. We are pleased to offer this interview with master iconographer Vladimir Grygorenko, who designed and painted the chapel. A.…

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The New Romanian Masters: Innovative Iconography in the Matrix of Tradition

(Editor’s note.  For some time now we’ve wanted to find a way to present the burgeoning iconography which is currently happening in Romania. And so after a bit of searching, this article introducing the new school of iconography was written especially for OAJ by Mother Atanasia (Văetişi) of the Stavropoleos Monastery in Bucharest in collaboration with my own parish priest Fr.…

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A Cloisonné Enamel Reliquary Icon of Saint Vincent of Zaragoza

Editor’s note:  This article continues Aidan Hart’s recent article about a reliquary for Saint Vincent of Zaragoza and details Christabel Anderson’s process for making the cloisonnée icon.   This article contains a background to the history and technique of cloisonné enamel and a description of the processes used in making the cloisonné enamel icon plaque of Saint Vincent…

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Georgian Master Iconographer: Amiran Goglidze

Like many of the first generation to rediscover the icon in the 20th century, Amiran Goglidze learned iconography by restoring churches. He finished art school (painting college of I. Nikoladze) in 1971, but then also continued to study restoration and conservation of monumental art (Tbilisi State Academy of Painting) from 1971-1977.  He was brought very close…

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Mozaicon. Vibrant Romanian Mosaics

Mozaicon was started by a group of Romanian fresco artists who came together in 2008 to create the mosaics for the Patriarchal Cathedral Complex in Bucharest.  After the initial project, only one of the artists, Daniel Codrescu continued working in mosaics until 2010, when once again other artists joined in to work on multiple projects…

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ARCHIMANDRITE ZENON (THEODOR): His Life and Work

I am not given to adulation: it places too heavy a burden of expectation on the unfortunate recipient, and often hinders the adorer. But I must confess I border on adulation for the works of the contemporary Russian iconographer and fresco painter, Archimandrite Zenon (Teodor) Every once in a while an iconographer appears who is…

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Byzantium – Celebrating The Icon in Ottawa

The first Ottawa International Byzantine Arts Symposium wrapping up at the beginning of this month surrounded the work of master iconographer George Kordis with an exhibition, 2 concerts and an icon painting workshop.  I had no idea what to expect going in to this event. I had been contacted by the event organizer, Lesia Maruschak only…

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