Orthodox Church Design Featured in The Pennsylvania Gazette
My design work for Orthodox Churches has been featured in an article in The Pennsylvania Gazette, the magazine of University of Pennsylvania (my alma mater). It includes an interview discussing how I came to my vocation and my philosophy of traditional church design, followed by a lengthy excerpt from the book Charleston Fancy. I am…
Continue reading »Byzantine Music is Choral Music
Some years ago, a singer who was primarily active in Russian Orthodox choral music pulled me aside at a church music event. “Can I be honest with you about something?” this person said to me. “I don’t understand Byzantine music. To me, it looks like it’s either a soloist or a group of mostly men;…
Continue reading »On Pronouncing Saints’ Names in English
At the Name of Jesus, every knee shall bow … and every tongue shall confess that Jesus Christ is Lord. —Phil. 2:10, 11 I You might remember the old song in which a man and woman argue about pronunciation. “You like potayto and I like potahto; you like tomayto and I like…
Continue reading »Iconography Shows us the Pattern of Reality
In November, I was asked to speak at St. Tikhon’s Seminary for the annual meeting of the Orthodox Inter-Seminary Movement (OISM). It was my first time at the monastery and school, and I was quite humbled to participate in such an event. It was also an honour to speak of Christian Symbolism in the last…
Continue reading »Andrew Gould Featured in New Book and New Website
Andrew Gould, founder of the Orthodox Arts Journal, has been featured in a new work by popular architectural writer Witold Rybczynski. The author of over twenty bestselling books, Rybczynski’s latest work is called Charleston Fancy: Little Houses and Big Dreams in the Holy City. The book is a history of Charleston architecture, told through the…
Continue reading »Preparatory Drawings as Temporary Icons: An Alternative Solution
In preparation for our patronal feast, at the Monastery of St. Dionysios the Areopagite, we ran into the problem of our unfinished, blank iconostasis. What could be done for the occasion in order to make it more presentable? First, as is common, we thought of speedily acquiring temporary icon reproductions to fill in the empty…
Continue reading »Coming Full Circle: A Masterclass at the Holy Trinity-St. Sergius Lavra
On Wednesday, October 2, 2019, a very special choral masterclass was given in the lower room of the Great Bell Tower at the Holy Trinity-St. Sergius Lavra. This monastery is considered the spiritual center of all of Russia and of its Orthodox Church. Several different factors contributed to the particular significance of this masterclass. The…
Continue reading »Fr Gregory Kroug – An Exhibition Honoring the 50th Anniversary of his Repose
The Exhibition In late June, I was blessed with the opportunity to spend a week in Paris, attending an exhibition in honor of the 50th anniversary of the repose of iconographer monk Gregory Kroug. The event ran from May 14th through June 30th, and included a curated exhibition of Kroug’s iconography displayed in the…
Continue reading »A Beautiful Church for Holy Cross Monastery in West Virginia
With great pleasure, I have developed a design for a new church for the Hermitage of the Holy Cross in West Virginia. In many ways, this design is the culmination of 15 years of thought, research, and experimentation on my part, and encapsulates the best of my ideas for Orthodox church design. I would like…
Continue reading »Worship in the Workshop: Providing Opportunities to Raise the Bar
The joke is at times heard that in the chapels of some of our seminaries, they “don’t worship but workshop.” The sense of this witticism is that what happens in their services is experimentation with rubrics, texts, service order, with an impulse towards “reform.” Over the course of this last summer, however, I was blessed…
Continue reading »