Posts by Dr. Kurt Sander
A New Musical Setting of the Divine Liturgy
Editor’s note: On Tuesday, September 12, 2017 at 9:30 am the PaTRAM Institute singers Choir, conducted by Maestro Peter Jermihov, will sing an original all-English Liturgy based on the Russian style, commissioned by the PaTRAM Institute and composed by Dr. Kurt Sander, at St. Alexander Nevsky Diocesan Cathedral in Howell, NJ. We have asked Dr.…
Continue reading »A Gospel Cover Crafted in the Tradition of a Medieval Treasure Binding
I have always been fascinated by liturgical book bindings from the Middle Ages. Their perfect union of leather, wood and metal, as a supple and tactile work of functional art, is singularly satisfying. In contrast, there is something lacking in most contemporary gospel covers, which are normally made by applying decoration overtop the cardboard covers…
Continue reading »Finding Beauty in Beauty and the Beast – the Perspective of an Orthodox Christian Artist
Disney’s new live-action movie, Beauty and the Beast, has stirred up considerable controversy. Proponents of both feminism and the gay agenda have claimed the movie as a triumph for their cause. As an Orthodox Christian who has great respect for the power of fairy tales to shape our world view, I found these allegations troubling.…
Continue reading »A New Symphony Orchestra Founded upon an Orthodox Christian Aesthetic
Maestro Vladimir Gorbik, renowned choral director of the Moscow Representation Church of the Holy Trinity-St Sergius Lavra, has founded a new symphony orchestra. Maestro Gorbik, having accomplished so much as a liturgical musician in Russia, and having co-founded PaTRAM in order to share his skills with Orthodox Americans, now wishes to offer his Orthodox musical…
Continue reading »An Innovative Carved Icon of Archangel Gabriel – A Collaborative Work
Occasionally Jonathan Pageau and I like to experiment with our work – to skirt the boundaries of historical precedent, to revive forgotten and archaic techniques, or to juxtapose ideas in new ways. This project, an elaborate mixed-media icon of Archangel Gabriel, is such an instance. It was not a commissioned project, but rather something we…
Continue reading »A Grave Cross for Father Matthew Baker
When Jonathan Pageau and I were asked to make a grave cross for the late Fr. Matthew Baker, we were humbled by the task. Fr. Matthew was a beloved young priest, a prominent Orthodox thinker, and father of six children. His tragic death in an automobile accident on March 1st, 2015, on his way home…
Continue reading »An Interview with Iconographer Seraphim O’Keefe
Editor’s Note: Seraphim O’Keefe is a promising young iconographer who has already done some remarkable work. We are pleased to feature his very interesting life story here, as well as images of his most recent major project – wall paintings at St. Cyprian Orthodox Church in Midlothian, Virginia. It is clear from the quality of…
Continue reading »Painting a Magnificent Dome in South Carolina
I would like to share a great milestone in the history of my own parish – the painting of the dome. Holy Ascension in Charleston, South Carolina, was consecrated in 2008. We have looked forward to the completion of the dome with great anticipation, and the results have far exceeded my own expectations. I believe it…
Continue reading »Building a Simple and Beautiful Iconostasis for a Mission Church
I have long felt that the iconostasis is the single most important element in an Orthodox church – perhaps more important even than the building itself. But tragically, in America, we have few really well-designed iconostases. This is especially so in mission churches, where iconostases are usually built by amateurs using plywood or worse (more…
Continue reading »Design for an Orthodox Church in Amish Country
I was recently asked to design a new chapel for Saint Gregory Palamas Orthodox Monastery in Perrysville, Ohio. It is an especially pleasing project for me because the site is located in the heart of the most idyllic Amish farm country – rolling hills, huge simple barns, elegant Victorian farmhouses, quiet roads with horse-drawn buggies.…
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