New Liturgical Handbook Illuminates the Heart of Orthodox Worship

A groundbreaking new resource for Eastern Orthodox Christians has been published, offering clergy, laity, and inquirers an in-depth yet accessible guide to the Orthodox Church’s divine services. Titled The Divine Services of the Orthodox Church with Commentary, this comprehensive handbook combines original translations of liturgical texts with rich theological explanations, patristic insights, and practical pastoral…

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Image and Awe

It is and it is not. An image is like its subject but also unlike it. Through its likeness, a sacred image helps us to establish relationship with its subject, while through its unlikeness it suggests the subject’s otherness. This journal of liturgical art, as with my own work as a liturgical artist, is concerned…

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Organicity and Sham

Author’s Note: This article was written for a Moscow magazine on church aesthetics, and speaks to the situation with church art in parishes of the Russian Orthodox Church. In American churches, the situation is somewhat different. For example, icons and church utensils in America are not manufactured on the massive scale that occurs in Russia.…

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Humility

Icon by Juliania Sokolova VS an icon painted by a student of a school she founded at Moscow Spiritual Academy

If only we could speak to ourselves from the future! How many valuable insights and skills could we have shared with our past selves! On the other hand, how would we have learned these things if not through the mistakes we make today? Is there a way to learn without mistakes? We have books, videos,…

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Teaching Iconography in the Twenty-First Century

Study Group final image, - result of 6.5 months of work and studies.

Sharing our teaching method, I invite fellow iconographers to share their views on teaching, as only by approaching this subject from several sides can we foster a new generation of iconographers who will be better than us. The teaching method my wife Olga Shalamova and I now use took its shape gradually. In Italy in…

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What is an Icon – A Response for Philip Davydov

Editor’s Note: This open letter was written in response to Philip Davydov’s call for master iconographers to address some fundamental questions about their art and its relationship to the Church.  Dear Philip, thank you for the interesting article. It seems to me that the questions you have presented to us are not that difficult to…

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Questions for Iconographers

An Angel from Svaneti (georgia) and a warrior from Vatopaedi monastery (Mount Athos)

Writing this text, I can’t help but feel that it opens up (or continues) a very extensive subject, which will require a lot of effort just to be introduced, and even more effort to be explained, but I will try… On February 12th, 2024 I was invited to the Andrey Rublev Museum in Moscow as…

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