Iconography
The Memory Keepers
This text is not just an article – it’s also a call for a combined effort. We invite you to support our documentary film the on Svaneti frescoes and the dedicated people who maintain them. Help us to preserve Svaneti’s invaluable treasures of Orthodox Christianity for centuries to come. Georgian church art reflects exceptional artistry…
Continue reading »Teaching Iconography in the Twenty-First Century
Sharing our teaching method, I invite fellow iconographers to share their views on teaching, as only by approaching this subject from several sides can we foster a new generation of iconographers who will be better than us. The teaching method my wife Olga Shalamova and I now use took its shape gradually. In Italy in…
Continue reading »What is an Icon – A Response for Philip Davydov
Editor’s Note: This open letter was written in response to Philip Davydov’s call for master iconographers to address some fundamental questions about their art and its relationship to the Church. Dear Philip, thank you for the interesting article. It seems to me that the questions you have presented to us are not that difficult to…
Continue reading »Questions for Iconographers
Writing this text, I can’t help but feel that it opens up (or continues) a very extensive subject, which will require a lot of effort just to be introduced, and even more effort to be explained, but I will try… On February 12th, 2024 I was invited to the Andrey Rublev Museum in Moscow as…
Continue reading »Iconography as Alternative Social-Religious Vision: Fr Zinon (Teodor)
(Editor’s Note. This essay builds upon our earlier article about Fr. Zinon by Aidan Hart. This article explores Fr. Zinon’s often original and controversial beliefs about the Church, and how his independent thinking inspired his art. By posting this article, the OAJ does not mean to imply endorsement of Fr. Zinon’s ideas, but rather to…
Continue reading »The Chichester Workshop for Liturgical Art: A New Venture for Training Liturgical Artists and Inspiring Wise Commissioning
An exciting centre for training liturgical artists and inspiring commissioners was officially launched on the September 14th, 2023. It is called the Chichester Cathedral Workshop for Liturgical Art. It is based at the ancient cathedral in the south of England,which stems from a monastery founded by St Wilfrid in 681. You can learn more about…
Continue reading »Iconostases in Balkan Churches – Part 1: Serbia
Continuing my photojournalism series highlighting Balkan churches, this post features interesting iconostases I photographed in Serbia and in the Kosovo and Metohija region. These iconostases range from medieval to contemporary, and exhibit a remarkable range of styles. I find it fascinating to view them grouped together, and consider that there are such diverse solutions to…
Continue reading »Apsidal Wall Painting for St. Christopher’s Church, Codsell, UK
Definition of Apse: A large semi-circular or polygonal recess in a church, arched or with a domed roof and typically at the church’s eastern end. Via Latin from Greek hapsis ‘arch, vault’, perhaps from haptein ‘fasten, join’. In astronomy, either of two points on the orbit of a planet or satellite that are nearest to…
Continue reading »Lecture: The Neptic Icon and Orthodox Tradition
I am delighted to announce that Professor Cornelia Tsakiridou, author of several exceptional books on the holy icon, will be giving a special lecture on the evening of Tuesday 14th March 2023 at the Hellenic Centre in London, UK. The lecture is organised by The Prince’s Foundation, School of Traditional Arts and generously made possible…
Continue reading »The Birth of a Cathedral; the Pinnacle of the Life’s Work of Grigore Popescu – Part 1
The divine depths of the Beautiful, the Good and the True do not have a static manifestation in our sublunar sphere, in History. There are times of retreat, when the cultural landscape may be likened to a desert, devoid of beauty; when a space larger than a country can turn into a gloomy prison. Ash…
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