The Archbishop Dmitri Memorial Chapel – An Interview with Iconographer Vladimir Grygorenko

The Archbishop Dmitri Memorial Chapel is an ongoing project at St. Seraphim Cathedral in Dallas, Texas. It is especially interesting as it is a chapel designed to honor the earthly remains of the locally venerated archbishop. We are pleased to offer this interview with master iconographer Vladimir Grygorenko, who designed and painted the chapel. A.…

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Ciboria and Tabernacles: A Short History

(This article continuation of my last post: Holy Tables with Reliquaries: A Short History ) The Ciborium A ciborium is a form of canopy supported by columns over the holy table (25). It is sometimes also called a baldachin, but strictly speaking this latter term should be limited to cloth canopies. Ciboria came to be common,…

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An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical Arts – Part 12: Incense – Heavenly Fragrance and Transfigured Light

This is post 12 of 12 in the series “An Icon of the Kingdom of God” Andrew Gould gives a unifying vision of how all the liturgical arts complement each other to create a living icon of the Kingdom of God. An Icon of the Kingdom of God: The Integrated Expression of all the Liturgical…

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Heaven Is Round. Earth Is Square.

This is post 4 of 4 in the series “Ancient Cosmology Today” Jonathan Pageau uses a phenomenological approach to explain traditional cosmology and its symbolism, explaining in what manner it is crucial to our experience of being in the world. Most of The Time The Earth Is Flat. Where is Heaven? Heaven and Earth in…

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Third Sermon for the Pilgrim: a Balkan Journey

I have survived three pilgrimages with Fr. Ilya Gotlinsky, leader of Orthodox Tours. Each one has been a sermon. My journey through Macedonia, Kosovo and Serbia (May 25 to June 7, 2014) with 27 fellow pilgrims from the Australia, England, Ireland, Russia and the United States, is the latest sermon. First Sermon: Russia 2005, “Beloved,…

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Technical Hierarchy

This is post 3 of 3 in the series “Hand and Machine” Jonathan Pageau and Andrew Gould exchange ideas in an attempt to understand the difficulties and opportunities of new technologies in the making of liturgical art. The discussion is also in reaction to fr. Silouan’s article on Degraded Iconicity. The Robot and The Master…

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