Posts Tagged ‘Orthodoxy’
Till Morn Eternal Breaks
On November 9, a new recording by the Chamber Choir of St. Tikhon’s Monastery of original compositions and arrangements, entitled “Till Morn Eternal Breaks: Sacred Choral Music of Benedict Sheehan,” will go on sale from St. Tikhon’s Monastery Press. (To pre-order, visit stspress.com) The project is the first of its kind: a recording of new Orthodox music…
Continue reading »The Transfiguration in Shadow.
Last year I was asked by a patron to carve a large icon of the Transfiguration. She said: “I am curious to see how you will do that.” I understood immediately what she meant, and her comment for me went to the core of what icon carving attempts to grapple with. So much of Orthodox theology, especially since St-Gregory of Palamas…
Continue reading »From Logos to Graph: Lost In Translation
This is post 3 of 3 in the series “To Write or to Paint an Icon” Several contributors go over the common debate on whether one “writes” or “paints” an icon. Is “Write” Wrong?: A Discussion of Iconology Lingo A Symptom of Modern Blindness – Further Thoughts on the Phrase “To Write an Icon” From…
Continue reading »VISIONS OF BEAUTY: St. Petersburg School of Religion and Philosophy Spring Seminar
This spring, from May 26th – June 9th, 2014, St. Petersburg School of Religion and Philosophy will host a 10 day seminar on the “Foundations of Russian Religion and Culture in the Course of a Thousand Years.” The seminar will be held entirely in English. The objective is to “learn about the notion of beauty…
Continue reading »Technical Hierarchy
This is post 3 of 3 in the series “Hand and Machine” Jonathan Pageau and Andrew Gould exchange ideas in an attempt to understand the difficulties and opportunities of new technologies in the making of liturgical art. The discussion is also in reaction to fr. Silouan’s article on Degraded Iconicity. The Robot and The Master…
Continue reading »Interview With Russian Enamelist Evgeny Baranov
(A few months ago I posted some magnificent enamel icons by Russian artist Evgeny Baranov. So impressed was I at his skill that I asked him if he would accept to do an interview for us. What came out of this interview is not only his personal story as an artist, which is fascinating, but also…
Continue reading »Designing Icons (pt.7): Architectural and Natural Settings in Icons
This is post 7 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »Designing Icons (pt.6): Faces in Icons
This is post 6 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
Continue reading »TED Talk on Iconography
Lynette Hull, an American iconographer part of the Prosopon School has recently given a twenty minute presentation on Iconography which is part of a TEDx event. TED is a hip technology, education and design non-profit organization that gives conferences and organizes events. It is seen as the leading place to get a glimpse of new burgeoning…
Continue reading »Designing Icons (pt.5): Conventions of Traditional Icon Design
This is post 5 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…
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