Editorial note: This is the third part of a series on the artistic path and iconographic legacy of Saint Sophrony the Athonite (1896-1993) as seen through a collection of monographs written by Sister Gabriela, a member of his monastic community in Essex, England. The previous articles, Seeking Perfection in the World of Art can be […]
The iconostasis featured here is the culmination of an idea I have been developing for several years. It is installed at Saint Matthew the Apostle Orthodox Church in Baton Rouge, Louisiana. I would like to tell the story of how it came to be, and discuss the problems it is meant to solve. The iconostasis […]
I have been asked to paint the iconographic murals in the new chapel at St. Gregory Palamas Monastery in Perrysville, Ohio. This chapel, dedicated to St. Gregory Palamas, is yet another good example of contemporary Orthodox architecture. It unites the traditional appearance of Byzantine interiors with the familiar exterior detailing of rural vernacular architecture. It […]
As a designer of Orthodox churches, I am frequently asked whether a proposed church building will have good acoustics. Acoustics is a complex matter that cannot always be catagorized as simply “good” or “bad”. In order to shed some light on this topic, I am going to discuss the various acoustical characteristics encountered in churches, […]
At the Name of Jesus, every knee shall bow … and every tongue shall confess that Jesus Christ is Lord. —Phil. 2:10, 11 I You might remember the old song in which a man and woman argue about pronunciation. “You like potayto and I like potahto; you like tomayto and I like […]
The Exhibition In late June, I was blessed with the opportunity to spend a week in Paris, attending an exhibition in honor of the 50th anniversary of the repose of iconographer monk Gregory Kroug. The event ran from May 14th through June 30th, and included a curated exhibition of Kroug’s iconography displayed in the […]
Editor’s Note: This essay was originally written in Russian by master iconographer Anton Daineko of Minsk, Belarus. It beautifully explores the paradox of creativity within iconography from the very personal perspective of a lifelong practitioner. Anton and Ekaterina Daineko regularly teach icon-painting workshops in the USA, which are highly recommended. They have upcoming workshops in […]
A. Gould: How did you first set out to be an iconographer? What led to this decision, and what was your initial artistic training? V. Grygorenko: I began painting icons long before my conversion to Christianity, which happened back in 1991. For nine years I studied traditional oil painting in the art studio at Dnipropetrovsk […]
I have written some articles in the past about large choros chandeliers that I have designed and installed. But today, I’d like to introduce a number of other lighting projects: individual or unusual fixtures, chandeliers in interesting places, and other pieces I’ve had the pleasure of making. I will start with a recent chandelier I […]
A Tough Love Many are drawn to the beauty of icons. But clearly this beauty is of a different order than, say, that of a Greek statue, or of a Renaissance painting. Icons are liturgical objects, created for prayer, a means of communion with the Lord. So what are some of the characteristics of divine […]