RUSSIA IN RALEIGH

For those of you who enjoyed the National Gallery Byzantine exhibit and want to see some icons from a different culture, the North Carolina History Museum is celebrating the 400th anniversary of the founding of the Romanov dynasty with and exhibit called “Window into Heaven.”  This exhibit displays 36 icons from the 18th and 19th…

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Technical Hierarchy

This is post 3 of 3 in the series “Hand and Machine” Jonathan Pageau and Andrew Gould exchange ideas in an attempt to understand the difficulties and opportunities of new technologies in the making of liturgical art. The discussion is also in reaction to fr. Silouan’s article on Degraded Iconicity. The Robot and The Master…

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Degraded Iconicity V: Subtle Docetism; Approach to Materials

This is post 5 of 6 in the series “Degraded Iconicity” Fr. Silouan Justiniano thinks through the effect of contemporary image culture and mechanical reproduction on iconography and our sense of the sacred. The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction Degraded Iconicity II: Uplifting Materiality and Symbol. Degraded Iconicity III:…

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The Amber Icons of Alexander Krylov

Alexander Krylov is a Russian master of amber.  For several years he worked with a few others to recreate the famous “amber room”, the gift of the Prussian king to Peter the Great in the 18th century.  It was known as “the eight wonder of the world”, but was looted by the Nazis during the…

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Designing Icons (pt.9): Perspective Systems in Icons

This is post 9 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…

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The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction

This is post 1 of 6 in the series “Degraded Iconicity” Fr. Silouan Justiniano thinks through the effect of contemporary image culture and mechanical reproduction on iconography and our sense of the sacred. The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction Degraded Iconicity II: Uplifting Materiality and Symbol. Degraded Iconicity III:…

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