Posts Tagged ‘iconographer’
Lecture: The Neptic Icon and Orthodox Tradition
I am delighted to announce that Professor Cornelia Tsakiridou, author of several exceptional books on the holy icon, will be giving a special lecture on the evening of Tuesday 14th March 2023 at the Hellenic Centre in London, UK. The lecture is organised by The Prince’s Foundation, School of Traditional Arts and generously made possible…
Continue reading »The Birth of a Cathedral; the Pinnacle of the Life’s Work of Grigore Popescu – Part 1
The divine depths of the Beautiful, the Good and the True do not have a static manifestation in our sublunar sphere, in History. There are times of retreat, when the cultural landscape may be likened to a desert, devoid of beauty; when a space larger than a country can turn into a gloomy prison. Ash…
Continue reading »A Byzantine Master in the New World – An Interview with Iconographer Dionysios Bouloubassis
Dionysios Boloubassis developed a reputation as a talented iconographer in Greece before he immigrated to the United States in 2013. Over the past ten years he built up a new portfolio of work in America, which together with his churches in Greece, demonstrates his experience and skill in carrying on the iconographic tradition. ORTHODOX ARTS…
Continue reading »Biblical Visions: Exterior Murals at the Monastery of the Transfiguration
Between 2016 and 2018 I created a series of wall paintings with scenes from the Old Testament for the exterior walls of a chapel in Dordogne, France. The chapel is located in the Orthodox Monastery of the Transfiguration which was founded by Archimandrite Elie and is a dependency of the Monastery of Simonos Petras on…
Continue reading »Painting as Prayer, The Art of A. Sophrony Sakharov
Editorial note: This is the third part of a series on the artistic path and iconographic legacy of Saint Sophrony the Athonite (1896-1993) as seen through a collection of monographs written by Sister Gabriela, a member of his monastic community in Essex, England. The previous articles, Seeking Perfection in the World of Art can be…
Continue reading »‘Being’, The Art and Life of Father Sophrony
Archimandrite Sophrony, painting Christ at the Last Supper, early 1980s, the Monastery of St John the Baptist, Refectory.[1] Image: ©The Stavropegic Monastery of Saint John the Baptist, Essex. Editorial note: This is the second part of a series on the artistic path and iconographic legacy of Saint Sophrony (Sakharov) as seen through a collection…
Continue reading »Murals for the Burning Bush Chapel and Prothesis at St John of the Ladder in Greenville, South Carolina
Introduction to the Project I have been commissioned to design and paint the wall iconography for the parish church of St. John of the Ladder in Greenville, South Carolina. This beautiful temple is of Andrew Gould’s design. His OAJ article about it appears here. I intend to post updates on the iconography project occasionally. As…
Continue reading »An Interview with Iconographer Vladimir Grygorenko – His Recent Work and Developing Style
A. Gould: How did you first set out to be an iconographer? What led to this decision, and what was your initial artistic training? V. Grygorenko: I began painting icons long before my conversion to Christianity, which happened back in 1991. For nine years I studied traditional oil painting in the art studio at Dnipropetrovsk…
Continue reading »Towards a Great Pictorial Synthesis: Interview with Ioan Popa
The following is an interview with Romanian master iconographer Ioan Popa. He’s one of the leading representatives of the contemporary icon revival in Romania, focusing in both panel and monumental fresco painting. Our conversation touches on his artistic development, aspects of the professional training of iconographers in Romania and the challenge of creative engagement with…
Continue reading »Conserve or Restore? A Question of Ancestor Kisses
Conserve: To protect from loss or harm; to keep quantity and quality constant through physical or chemical reactions or evolutionary changes. Restore: To bring back into existence or use; to return to an original condition. Close in definition, the differences when applied to art treasures can be catastrophic. Consider the botched effort to “restore” Elías…
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