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— Articles and news for the promotion of traditional Orthodox Christian liturgical arts —

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“icon painting”

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A Life of Icons – Interview with Anna Gouriev

By Jonathan Pageau on September 21, 2020
A Life of Icons - Interview with Anna Gouriev

Anna Pokrovsky Gouriev is a professional iconographer working in the United States. Originally from Russia, she is the daughter of Ksenia Pokrovsky who was one of the instrumental voices for the rediscovery of traditional iconography in the 20th century. Jonathan Pageau teaches with her at the Hexaemeron School of Ecclesial Arts, and it is in […]

Posted in Artist Features, Iconography | Tagged Anna Gouriev, Hexaemeron, icon painting, iconography, Jonathan Pageau, Ksenia Pokrovsky October 14, 2020

‘Being’, The Art and Life of Father Sophrony

By Christabel Helena Anderson on September 3, 2020
‘Being’, The Art and Life of Father Sophrony

Archimandrite Sophrony, painting Christ at the Last Supper, early 1980s, the Monastery of St John the Baptist, Refectory.[1]  Image: ©The Stavropegic Monastery of Saint John the Baptist, Essex.   Editorial note: This is the second part of a series on the artistic path and iconographic legacy of Saint Sophrony (Sakharov) as seen through a collection […]

Posted in Artist Features, Iconography, Reviews, Theory, Writers | Tagged abyss, art, biography, book review, Elder Sophrony, England, English Iconography, essex, Father Sophrony, icon painting, iconographer, iconography, liturgical art, Monastery of St. John the Baptist, Paris, Russia, Russian Orthodox, Saint Silouan, St. Silouan the Athonite, St. Sophrony, St. Sophrony the Athonite, Theology, Tradition September 4, 2020

Canon: Time for a Paradigm Shift…Part IV

By Todor Mitrović on July 13, 2020
Canon: Time for a Paradigm Shift...Part IV

  How to Conceive a Paradigm Shift? In the end, of course, we cannot naïvely expect that this change of paradigm can be imposed by some “official directive.” As the “chair and apple” example shows, such change happens neither easily nor suddenly. The need for change can be voiced, or even generated by an individual, […]

Posted in Theory | Tagged art history, conceptual metaphors, diachronic, expressive power, icon painting, idea, internalize, invention, paradigm shift, studio, synchronic, Tradition, utilitarian, visual language July 13, 2020

Canon: Time for a Paradigm Shift…Part III

By Todor Mitrovic on July 6, 2020
Canon: Time for a Paradigm Shift...Part III

    On the Need for the New Paradigm   First, the suggested shift in paradigm is not just playing with words, nor is it merely for amusement or for increasing our vocabulary. Neither are we following some fashionable intellectual trend. From the conventional meaning of the term paradigm, I would emphasize its ‘active’ semantic aspects. These suppose […]

Posted in Theory | Tagged artistic language, canon, church art, cognitive linguistics, conceptual metaphor, Icon, icon painting, paradigm, rules, Tradition July 6, 2020

The Icon Painting of Fr. Stamatis Skliris: A Call for Authenticity

By Fr. Silouan Justiniano on April 21, 2020
The Icon Painting of Fr. Stamatis Skliris: A Call for Authenticity

It could be said that Fr. Stamatis Skliris ranks as one of the most important, albeit idiosyncratic and challenging, contemporary iconographers residing in Greece today: idiosyncratic, because his style stands out in a category of its own, in its personal, expressive potency and unique, at times odd, pictorial synthesis; challenging, because he often breaks all […]

Posted in Artist Features, Iconography | Tagged Authenticity, creativity, Expressionism, icon painting, Impressionism, modern art, Pointillism, Tradition, uniqueness, unrepeatability April 23, 2020

Fr Gregory Kroug – An Exhibition Honoring the 50th Anniversary of his Repose

By Seraphim O'Keefe on October 8, 2019
Fr Gregory Kroug – An Exhibition Honoring the 50th Anniversary of his Repose

  The Exhibition In late June, I was blessed with the opportunity to spend a week in Paris, attending an exhibition in honor of the 50th anniversary of the repose of iconographer monk Gregory Kroug. The event ran from May 14th through June 30th, and included a curated exhibition of Kroug’s iconography displayed in the […]

Posted in Iconography | Tagged Byzantine, exhibition, frescoes, icon painting, iconograpahy, Kroug, Krug, Leonid Ouspensky, murals, Orthodox, russian, seraphim o'keefe October 8, 2019

‘The Mustard Seed Garden Manual of Painting’: A Chinese painting manual offers inspiration to iconographers

By Aidan Hart on July 2, 2019
‘The Mustard Seed Garden Manual of Painting’: A Chinese painting manual offers inspiration to iconographers

Truth is truth wherever it is found. In fact, it is all the more delicious when found in unexpected places. I was at the opening of an exhibition of The St John’s Bible, for which I had been one of the illuminators, and fell into conversation with one of the professors at Minnesota University. We […]

Posted in Iconography, Theory | Tagged Chinese painting, detail, dexterity, discipline, freedom, icon painting, methods, practice, technique, Tradition July 1, 2019

Imagination, Expression, Icon…Pt. IV: Encountering the Internal Prototype

By Fr. Silouan Justiniano on November 22, 2017
Imagination, Expression, Icon...Pt. IV: Encountering the Internal Prototype

This is the 4th and last post in the series “Imagination, Expression, Icon: Reclaiming the Internal Prototype”: Part 1, Part 2, Part 3.     When you make an icon, do not copy it exactly… -Elder Sophrony[i]   Now that we’ve clearly defined the terms nous, techne, Tradition, imagination and expression, we’re in a better […]

Posted in Theory | Tagged Contemplation, creative, epression, fear, icon painting, iconography, imagination, internal, interpretation, license, Living Tradition, mechanistic, prototypes, unique December 5, 2017

Imagination, Expression, Icon… Pt. II: Concerning Nous, Techne & Tradition

By Fr. Silouan Justiniano on October 25, 2017
Imagination, Expression, Icon… Pt. II: Concerning Nous, Techne & Tradition

This is part 2 of a series: Part 1   Because they are the works of God, who is Himself good, the senses and sensible objects are good; but they cannot in any way be compared with the intellect [nous] and with intelligible realities. -St. Thalassios, On Love, Self-control and Life in Accordance with the […]

Posted in Theory | Tagged Abstraction, academicism, creativity, icon painting, Naturalism, nous, Pentecost, pictorial, principles, styles, techne, Tradition October 24, 2017

A Matter of “Ethos”: An Interview with the Painter Markos Kampanis

By Fr. Silouan Justiniano on May 12, 2016
A Matter of “Ethos”: An Interview with the Painter Markos Kampanis

We often forget that our contemporary art, although the offspring of the 20th century revolutionary avant-garde, has its own set of artistic dogmas, its form of “orthodoxy”, so to speak. Ironically, although the avant-garde might have shattered the stifling shackles of the Academy, it has now itself become another form of restrictive academy, forming an […]

Posted in Artist Features, Iconography, Theory | Tagged contemporary art, icon painting, liturgical art, modernism, murals, printmaking, Secular Art, Tradition June 5, 2017
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