Posts Tagged ‘icon painting’
Teaching Iconography in the Twenty-First Century
Sharing our teaching method, I invite fellow iconographers to share their views on teaching, as only by approaching this subject from several sides can we foster a new generation of iconographers who will be better than us. The teaching method my wife Olga Shalamova and I now use took its shape gradually. In Italy in…
Continue reading »Iconography: Towards Future Seminary Curriculum Development
Editorial Note: The following paper was presented at the academic theological conference, The Orthodox Christian Seminary in the 21st Century, held Saturday, September 16, during the 75th Anniversary of Holy Trinity Orthodox Seminary, which took place at Jordanville, NY, September 15-17, 2023.[i] **** Trinity!! Higher than any being, any divinity, any goodness! Guide of…
Continue reading »Icon, Religion—Abstraction: Joseph Masheck with Joachim Pissarro & Fr. Silouan Justiniano
…I looked at Russian icon painting with new eyes, that is to say, I “acquired eyes” for the abstract element in this kind of painting. –Wassily Kandinsky[i] For better or for worse the traditional icon painting revival is indebted to modernism, in particular its development of abstraction. Although, as a traditional liturgical art,…
Continue reading »On Manners and Mannerisms: Thoughts on Style…Part I
Editorial note: The following letter/article, which will be posted in two parts, is a response to a friend’s question concerning the problem of style in icon painting, in particular as it relates to one of my icons of Ss. John the Theologian and Prochoros. **** The style is the man himself. – Compte de…
Continue reading »Recent Fresco Iconography in Belgium
The rector, Fr. Dominique Verbeke, and his counsel, asked me to present a proposal on the occasion of the 50th anniversary of the founding of the Orthodox parish of the Holy Apostle Andrew in Ghent, Belgium. I was to decorate the ‘first church’, a big room in a house of the Old Beguinage (17th century)…
Continue reading »Interview with Iconographer Baker Galloway
Editor’s Note: Following upon Aidan Hart’s recent post about applications currently being accepted for the 3-year Icon Painting Programme taught by him, we present an interview with a 2019 graduate of that program, Baker Galloway, conducted by Seraphim O’Keefe on behalf of the OAJ. Introduction Baker Galloway is an American graduate of the 3-year Icon…
Continue reading »Painting as Prayer, The Art of A. Sophrony Sakharov
Editorial note: This is the third part of a series on the artistic path and iconographic legacy of Saint Sophrony the Athonite (1896-1993) as seen through a collection of monographs written by Sister Gabriela, a member of his monastic community in Essex, England. The previous articles, Seeking Perfection in the World of Art can be…
Continue reading »Narthex Murals at St John of the Ladder
Introduction This article is the second in a series documenting the mural project at St John of the Ladder Orthodox Church in Greenville, South Carolina. This beautiful temple was designed by Andrew Gould. The previous article presented the murals in the two smaller rooms adjacent to the church’s sanctuary. Here, I will present the recently…
Continue reading »A Life of Icons – Interview with Anna Gouriev
Anna Pokrovsky Gouriev is a professional iconographer working in the United States. Originally from Russia, she is the daughter of Ksenia Pokrovsky who was one of the instrumental voices for the rediscovery of traditional iconography in the 20th century. Jonathan Pageau teaches with her at the Hexaemeron School of Ecclesial Arts, and it is in…
Continue reading »‘Being’, The Art and Life of Father Sophrony
Archimandrite Sophrony, painting Christ at the Last Supper, early 1980s, the Monastery of St John the Baptist, Refectory.[1] Image: ©The Stavropegic Monastery of Saint John the Baptist, Essex. Editorial note: This is the second part of a series on the artistic path and iconographic legacy of Saint Sophrony (Sakharov) as seen through a collection…
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