Improving Icon Carving Through Drawing
One of the complex questions that faces modern icon carving is the pervasive presence of the painted icon within the tradition of iconography. For many reasons which I hope to write about in the future, icon carving became a somewhat marginalized art form as the centuries advanced. And so for myself and the small group…
Continue reading »The Altar and The Portico (pt.2): Gallery Art
This is post 2 of 2 in the series “The Altar and The Portico” Aidan Hart explores the relationships and differences between sacred art and secular gallery art. The Altar and The Portico (pt.1) The Altar and The Portico (pt.2): Gallery Art THE SACRED AND THE SECULAR The Relationship of Orthodox Iconography and Gallery Art…
Continue reading »The Altar and The Portico (pt.1)
This is post 1 of 2 in the series “The Altar and The Portico” Aidan Hart explores the relationships and differences between sacred art and secular gallery art. The Altar and The Portico (pt.1) The Altar and The Portico (pt.2): Gallery Art THE ALTAR AND THE PORTICO (PT.1) The Relationship of Orthodox Iconography and Gallery…
Continue reading »As if Through a Child’s Inner Eye: The Contemporary Icons of Maxim Sheshukov
The distinctively fresh and masterful work of Maxim Sheshukov, a contemporary iconographer working in Sviyazhsk (Kazan region of Russia), is another example of the best synthesis of creative interpretation and conformity to Tradition which we can find nowadays. His work was mentioned in passing in a previous article on Contemporary Iconographers of Russia, but I thought it…
Continue reading »The Dragons that Almost Exist
Explaining the icon of St-George slaying the dragon to a 4 year old is amazing. Explaining the icon of St-George to a 10 year old is excruciating — “Yeah, but dragons don’t exist, do they?”. Do they? When someone tells you that dragons don’t exist or that monsters don’t exist, what is it they are…
Continue reading »The Clarion Choir Extends the Visibility of Maximilian Steinberg’s Passion Week with New Recording and Russian Tour
Last year, readers of the Orthodox Arts Journal read about the significance of Passion Week by Maximilian Steinberg (1883–1946), a newly rediscovered choral masterpiece based almost entirely upon early Russian chant melodies. Completed in 1923 in St. Petersburg, just a few weeks before the communist authorities banned all composition and performance of sacred music, the…
Continue reading »An Interview with Iconographer Seraphim O’Keefe
Editor’s Note: Seraphim O’Keefe is a promising young iconographer who has already done some remarkable work. We are pleased to feature his very interesting life story here, as well as images of his most recent major project – wall paintings at St. Cyprian Orthodox Church in Midlothian, Virginia. It is clear from the quality of…
Continue reading »Contemporary Byzantine Painting: An Interview With Fikos
Contemporary Byzantine Painting: Street Art and the Icon in Convergence An Interview with Fikos By Fr. Silouan Justiniano Graffiti is one of those art forms that seems to have no relationship whatsoever with the liturgical art of the icon. Unlike the icon’s inextricable reliance on Tradition, graffiti appears to embody an anti-traditional and revolutionary…
Continue reading »Painting a Magnificent Dome in South Carolina
I would like to share a great milestone in the history of my own parish – the painting of the dome. Holy Ascension in Charleston, South Carolina, was consecrated in 2008. We have looked forward to the completion of the dome with great anticipation, and the results have far exceeded my own expectations. I believe it…
Continue reading »Building a Simple and Beautiful Iconostasis for a Mission Church
I have long felt that the iconostasis is the single most important element in an Orthodox church – perhaps more important even than the building itself. But tragically, in America, we have few really well-designed iconostases. This is especially so in mission churches, where iconostases are usually built by amateurs using plywood or worse (more…
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