Posts by Jonathan Pageau
Adapting a Painted Icon to Carving
One of the exciting aspects of the renewal in icon carving we have seen in the last few decades is how this renewal is in a constant dialogue with painted icons. One of the visible goals, one of my own goals, is a search to infuse into the carved image some of the visual aspects…
Continue reading »A Contemporary Opus Sectile Icon
Last year, I promised our readers that I would try to create an opus sectile icon, that is an icon that joins different stones together to make an image. I recently had the chance to create something that is a mix of carving and mosaic and is probably as close as I am going to…
Continue reading »Wedding with Carved Crowns
Several months ago I posted an article on wooden crowns I had carved for a young couple. Well, I was overjoyed when this newly married couple, Peter & Chelsea Simko sent me pictures of the ceremony using the crowns. I thought I would share them with all of you. May Christ crown them with glory!…
Continue reading »Santa Maria Antiqua – The Heart of the East in the Centre of Rome
(Editor’s note: This article was submitted by Fr Paul Walliker, an Antiochian Orthodox Priest who has a Master of Visual Art (Painting) from Monash University, Australia. The focus of his project for his Masters Degree was Santa Maria Antiqua. He also recently attended the conference held at the British School of Rome on Santa Maria Antiqua) …
Continue reading »From Logos to Graph: Lost In Translation
This is post 3 of 3 in the series “To Write or to Paint an Icon” Several contributors go over the common debate on whether one “writes” or “paints” an icon. Is “Write” Wrong?: A Discussion of Iconology Lingo A Symptom of Modern Blindness – Further Thoughts on the Phrase “To Write an Icon” From…
Continue reading »The Cave in The Nativity Icon
Just as the Ass and the Ox, the cave portrayed in the nativity icon is not specifically mentioned in Scripture as being the birthplace of Christ. In fact, St-Luke’s account does not say exactly where Christ was born, only that The Holy Virgin lay him in a manger. So why a cave? Why not a little…
Continue reading »Visual Heresy – An Evangelical On The Iconography of God The Father
My priest recently sent me a link to a talk (posted below) given by Matthew J. Milliner, an assistant professor of art history at Wheaton College, which was quite astounding to me. The talk tackles two subjects quite adroitly, two subjects, which Orthodox thinkers have addressed for some time now. Firstly he tackles what is being called…
Continue reading »Fr.Silouan Justiniano – Returning to Puerto Rico With Icons
Fr. Silouan Justiniano, who is a native of Puerto Rico, was recently invited to return to the island to show his art, both his earlier work and his icons in the city of San German with the Universidad Inter-Americana. Fr. Silouan received a Masters in Fine Arts from Hunter College New York City as well…
Continue reading »Iconography In The Landscape
One of the points I have been hammering at since I began writing for OAJ, is how symbolism is not just an arbitrary set of codes and meanings but is rather the very place where logos encounters the world, a coming together of different levels of reality. (See for ex, my article on the Recovery…
Continue reading »PaTRAM Institute Launches Website
The Patriarch Tikhon American Music Institute is part of the same effort behind the Patriarch Tikhon Choir who’s latest concert received wonderful reviews. Under the continual guidance of Vladimir Gorbik, the institute offers many solutions for training North Americans who wish to increase their ability to chant in the Russian tradition. As usual, our own…
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