Liturgical Music in America Liturgical music is closely bound up with the people that sing it. Language, history, culture, experience, education, social class, all of these things shape the sound-world of worship. The people that founded Orthodox parishes in America more than a century ago—for the most part, immigrants from Russia, Greece, Eastern Europe, and […]
A liturgical craft that ideally draws very little attention to itself is that of translation — particularly, the translation of hymnography. The English texts that we hear in church were translated by somebody, and that translator also had to make them natural-sounding and singable in English. In addition, there is also the question of whether […]
It has been over five years since The Saint John of Damascus Society commissioned The Psalm 103 Project, a big idea that brought together the work of six great composers, Matthew Arndt, John Michael Boyer, Alexander Khalil, Kurt Sander, Richard Toensing (+2014), and Tikey Zes, to create a unique, collaborative choral work that would be a model of […]
In late 2016, as the tragic centenary of the Russian revolutions was approaching, conversations began among musicians in Russia and the U. S. regarding an appropriately solemn and musically significant way to pay homage to the memory of those who had been affected by these events—in particular, composers, choirmasters, and church singers—both those who suffered […]
There is a Russian adage which translates as “the task fears the master craftsman,”[*] meaning work goes well when one knows one’s business. In the case of the recent master class in choral singing and conducting, entitled The Performance and Interpretation of Russian Sacred Choral Music, one could easily change this adage to “the task […]
Editor’s note: This article addresses the Typika Psalms and Beatitudes in the Divine Liturgy, and describes the differences in usage among contemporary North American Orthodox jurisdictions. In particular, the author considers opportunities in which choirs in the Greek and Antiochian Archdioceses might expand their use of these liturgical texts. It is frequently observed that the Psalter is the chief source […]
Editor’s note: On Tuesday, September 12, 2017 at 9:30 am the PaTRAM Institute singers Choir, conducted by Maestro Peter Jermihov, will sing an original all-English Liturgy based on the Russian style, commissioned by the PaTRAM Institute and composed by Dr. Kurt Sander, at St. Alexander Nevsky Diocesan Cathedral in Howell, NJ. We have asked Dr. […]
(This interview with Russian conductor Vladimir Gorbik was first published in Pravoslavie i sovremennost, the official journal of the Diocese of Saratov, Russia) As previously reported in the Orthodox Arts Journal, a new symphony orchestra has been established in Moscow under the direction of Vladimir Gorbik—chief choirmaster of the Holy Trinity-St. Sergius Representation (Podvorye) in […]
Editor’s Note: This article originally appeared on John Graham’s website featuring his tours of Georgia and Georgian liturgical music. We are reposting it here because it will be of great interest and assistance to any choirs who would like to add Georgian settings of ‘Christ is risen’ to their repertoire. Since posting this, John has added additional […]
Maestro Vladimir Gorbik, renowned choral director of the Moscow Representation Church of the Holy Trinity-St Sergius Lavra, has founded a new symphony orchestra. Maestro Gorbik, having accomplished so much as a liturgical musician in Russia, and having co-founded PaTRAM in order to share his skills with Orthodox Americans, now wishes to offer his Orthodox musical […]