Music
A Recording of the Kastalsky Requiem – Fundraising Request
In 1917, Russian composer Alexander Kastalsky wrote a monumental Requiem commemorating the Allied slain of World War I. He brought together melodies from all the religious traditions of the Allies, weaving them into a harmonious and triumphant whole, memorializing those who gave their lives in service to their nation. The work is testament to the…
Continue reading »Blessed Art Thou among Women—a New Release by the PaTRAM Institute Singers
Blessed Art Thou among Women—a New Release by the PaTRAM Institute Singers, Peter Jermihov, Conductor Reviewed by Vladimir Morosan The liturgical tradition of the Orthodox Church is extremely rich with hymnography in honor of the Virgin Mary—the Most Holy Theotokos or Mother of God, as she is typically referred to. Virtually every complex of Orthodox…
Continue reading »Acoustical Considerations in Orthodox Church Design
As a designer of Orthodox churches, I am frequently asked whether a proposed church building will have good acoustics. Acoustics is a complex matter that cannot always be catagorized as simply “good” or “bad”. In order to shed some light on this topic, I am going to discuss the various acoustical characteristics encountered in churches,…
Continue reading »Byzantine Music is Choral Music
Some years ago, a singer who was primarily active in Russian Orthodox choral music pulled me aside at a church music event. “Can I be honest with you about something?” this person said to me. “I don’t understand Byzantine music. To me, it looks like it’s either a soloist or a group of mostly men;…
Continue reading »On Pronouncing Saints’ Names in English
At the Name of Jesus, every knee shall bow … and every tongue shall confess that Jesus Christ is Lord. —Phil. 2:10, 11 I You might remember the old song in which a man and woman argue about pronunciation. “You like potayto and I like potahto; you like tomayto and I like…
Continue reading »Coming Full Circle: A Masterclass at the Holy Trinity-St. Sergius Lavra
On Wednesday, October 2, 2019, a very special choral masterclass was given in the lower room of the Great Bell Tower at the Holy Trinity-St. Sergius Lavra. This monastery is considered the spiritual center of all of Russia and of its Orthodox Church. Several different factors contributed to the particular significance of this masterclass. The…
Continue reading »Worship in the Workshop: Providing Opportunities to Raise the Bar
The joke is at times heard that in the chapels of some of our seminaries, they “don’t worship but workshop.” The sense of this witticism is that what happens in their services is experimentation with rubrics, texts, service order, with an impulse towards “reform.” Over the course of this last summer, however, I was blessed…
Continue reading »Coming Soon: The Liturgical Arts Academy, August 18-24 2019
English-speaking Orthodox faithful in the United States who have wanted to learn the liturgical arts of the Orthodox Church — music, iconography, vestments, architecture and furnishings design, etc. — have historically had limited opportunities to study with knowledgeable teachers. Some have had the opportunity to go overseas to countries such as Greece and Russia to…
Continue reading »“And the Glory of The Lord Filled the Tabernacle” – Some Reflections on the World Premiere of Benedict Sheehan’s Liturgy of Saint John Chrysostom
In the past thirty years, I have attended almost 7000 liturgies in the United States, Canada, Russia, and Greece. Some of these have been in small candlelit chapels in the desert of Mount Athos; others have been in magnificent imperial monasteries with a thousand years of history. I have beheld liturgies celebrated by patriarchs and…
Continue reading »Kurt Sander’s Divine Liturgy of St. John Chrysostom: An American Orthodox Musical Milestone
The appearance of Kurt Sander’s Divine Liturgy of St John Chrysostom, which was released simultaneously on April 26, 2019, in recorded form by Reference Recordings and in print form by Musica Russica, in many ways represents a unique and unprecedented event in the realm of Orthodox liturgical singing in North America. The work was created…
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