Editor’s Note: This essay was originally written in Russian by master iconographer Anton Daineko of Minsk, Belarus. It beautifully explores the paradox of creativity within iconography from the very personal perspective of a lifelong practitioner. Anton and Ekaterina Daineko regularly teach icon-painting workshops in the USA, which are highly recommended. They have upcoming workshops in […]
A Tough Love Many are drawn to the beauty of icons. But clearly this beauty is of a different order than, say, that of a Greek statue, or of a Renaissance painting. Icons are liturgical objects, created for prayer, a means of communion with the Lord. So what are some of the characteristics of divine […]
There’s theory and then there’s practice. The one flows from the other and back again, unceasingly. Their interdependence is indissoluble. Likewise, there’s “inner” drawing and then there’s “external” drawing. The first unfolds and takes shape in the imagination; the latter is the former’s manifestation. A masterful drawing seems to be as if a concrete […]
This is post 2 of 3 in the series “To Write or to Paint an Icon” Many thanks to Mary Lowell for initiating a discussion of American Orthodox terminology – especially the problematic phrase “to write an icon.” Her article describes the technical problems with this translation very clearly, while acknowledging its appeal to many […]
Lets now look at the nous as an organ of perception. In speaking of the soul, according to its different faculties, we tend to create a fragmented notion of it as consisting of mutually exclusive layers, rather than as an interrelated whole. Therefore, we tend to forget that the nous permeates all of man. Even […]