Posts Tagged ‘Orthodox’
The Question of Polychrome for Liturgical Woodcarving – Part 1
This is post 1 of 2 in the series “The Question of Polychrome for Liturgical Woodcarving” Andrew Gould looks at the role polychromy has played in historical liturgical arts and how it can be adapted to contemporary designs. The Question of Polychrome for Liturgical Woodcarving – Part 1 The Question of Polychrome – Part 2:…
Continue reading »‘Living Tradition’ Symposium in Charleston, SC – Videos Online
On May 23rd, iconographers Philip Davydov and Fr. Silouan Justiniano spoke at a symposium titled “Living Tradition: Painting Sacred Icons in the 21st Century”. The event was the first of its kind organized by the Orthodox Arts Journal. It was held at Holy Ascension Orthodox Church in Charleston, SC. The event focused on the question…
Continue reading »The Archbishop Dmitri Memorial Chapel – An Interview with Iconographer Vladimir Grygorenko
The Archbishop Dmitri Memorial Chapel is an ongoing project at St. Seraphim Cathedral in Dallas, Texas. It is especially interesting as it is a chapel designed to honor the earthly remains of the locally venerated archbishop. We are pleased to offer this interview with master iconographer Vladimir Grygorenko, who designed and painted the chapel. A.…
Continue reading »Holy Tables with Reliquaries, a Short History
In this overview and the one that will follow I have combined the history of altars (also called holy tables), ciboria and tabernacles because their respective developments are somewhat related. In this first section I will deal with Holy Tables and will focus on ciboria and tabernacles in the second installment. My interest in…
Continue reading »The New Romanian Masters: Innovative Iconography in the Matrix of Tradition
(Editor’s note. For some time now we’ve wanted to find a way to present the burgeoning iconography which is currently happening in Romania. And so after a bit of searching, this article introducing the new school of iconography was written especially for OAJ by Mother Atanasia (Văetişi) of the Stavropoleos Monastery in Bucharest in collaboration with my own parish priest Fr.…
Continue reading »The Printmaking Tradition on Mount Athos
Editor’s note: We would like to introduce our new contributor, Markos Kampanis. Markos is a prominent artist and iconographer in Greece. He has a particular expertise in Athonite murals and prints and will be sharing his knowledge in a series of articles. Artistic tradition on Mt Athos is usually associated with painted icons and murals.…
Continue reading »An Interview with Iconographer Federico José Xamist
Federico José Xamist is a remarkably talented young iconographer of whom we have recently become aware. His work exemplifies icon painting as a fresh and living tradition. We offer the following interview to introduce this exciting artist to our readers: Gould: Federico, you grew up in Chile. How did you come to live in Greece? J. Xamist: When I…
Continue reading »The Two Russias : Leviathan and The Island
To anyone who thinks that the Lives of the Saints have little practical application to our everyday life, I humbly beg to differ. To prove my point, I would like to offer some personal reflections on the new Russian film Leviathan, a film that would seem to be almost irredeemably bleak. But if considered in…
Continue reading »Byzanfest, an Orthodox short-film festival.
Chris Vlahonasios is the founder and director of Byzanfest, the first online festival of Orthodox short films. He is also a blogger at Orthodox Filmmakers and Artists. I interviewed him about how all of this came about and about his view of the possible relationships between Orthodox arts and film. Along the way one…
Continue reading »The problem of art in Anglophone Orthodoxy: a review essay
Recently, an online exchange about public outreach efforts with respect to various aspects of Orthodox music and music of Orthodox composers led the following comment by a discussant: What exactly is so “Orthodox” about any kind of pure music? […] [T]o associate any composer with the Church is an empty exercise, since music has only…
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