Archimandrite Sophrony, painting Christ at the Last Supper, early 1980s, the Monastery of St John the Baptist, Refectory.[1] Image: ©The Stavropegic Monastery of Saint John the Baptist, Essex. Editorial note: This is the second part of a series on the artistic path and iconographic legacy of Saint Sophrony (Sakharov) as seen through a collection […]
Introduction to the Project I have been commissioned to design and paint the wall iconography for the parish church of St. John of the Ladder in Greenville, South Carolina. This beautiful temple is of Andrew Gould’s design. His OAJ article about it appears here. I intend to post updates on the iconography project occasionally. As […]
The following is an interview with Romanian master iconographer Ioan Popa. He’s one of the leading representatives of the contemporary icon revival in Romania, focusing in both panel and monumental fresco painting. Our conversation touches on his artistic development, aspects of the professional training of iconographers in Romania and the challenge of creative engagement with […]
This is post 2 of 2 in the series “The Altar and The Portico” THE SACRED AND THE SECULAR The Relationship of Orthodox Iconography and Gallery Art Part 2: Gallery Art (here for pt.1) The journey of an artist At this stage in our story, by way of illustration I would like to be […]
This is post 1 of 2 in the series “The Altar and The Portico” THE ALTAR AND THE PORTICO (PT.1) The Relationship of Orthodox Iconography and Gallery Art Part 1 (This is the a talk given at Sacred And Secular In Life And Art, Oxford, a workshop dedicated to the memory of Philip Sherrard. St Gregory’s […]
We often forget that our contemporary art, although the offspring of the 20th century revolutionary avant-garde, has its own set of artistic dogmas, its form of “orthodoxy”, so to speak. Ironically, although the avant-garde might have shattered the stifling shackles of the Academy, it has now itself become another form of restrictive academy, forming an […]
This is post 5 of 5 in the series “On the Gift of Art… But, What Art” On the Gift of Art…Part V: The Threshold By Fr. Silouan Justiniano There is, then a distinction to be drawn between a significant [meaningful] and liberating art, the art of those who in their performances are celebrating God…in […]
On November 9, a new recording by the Chamber Choir of St. Tikhon’s Monastery of original compositions and arrangements, entitled “Till Morn Eternal Breaks: Sacred Choral Music of Benedict Sheehan,” will go on sale from St. Tikhon’s Monastery Press. (To pre-order, visit stspress.com) The project is the first of its kind: a recording of new Orthodox music […]
I have recently had the pleasure of making an altar set for a Coptic church. This project was somewhat of a challenge for me because the Coptic Church and her liturgical art is not my area of expertise. I had to learn about both the liturgical implements and the historical styles of woodwork unique to […]
This is post 3 of 3 in the series “Hand and Machine” In light of the discussion that has been happening on the OAJ concerning the question of technical means and the production of liturgical arts (starting with fr. Silouan Justiniano’s article, my short post and Andrew Gould’s response), I thought I would attempt something […]